Abbreviations
b = black and white, c = color
En = Beck's entertainment value, Ed = Beck's educational value
S
Sabotage (1936
b 76') En: 6, Ed: 5
Based on Joseph Conrad's novel, The Secret Agent, a woman
learns that her husband has killed her brother in a sabotage plot.
This early Hitchcock thriller portrays the random violence
of terrorism by not even hinting at any purpose but destruction.
Carl says he won't harm people but goes ahead anyway just for
the money. His coldness in making excuses for killing his wife's
brother by mistake provokes her to stab him before he can grab
the knife. Spencer does not trust Mrs. Verlock to a jury and is
relieved she won't have to stand trial. This film was banned in
Brazil because they believed it might stimulate terrorism.
Sadie McKee (1934
b 93') En: 6, Ed: 6
Abandoned in New York city by her poor fiancé, Sadie marries
an alcoholic millionaire over the objections of his lawyer, her
childhood friend.
Opal tells Sadie every woman has her price, and she should
ask for a high one. Sadie marries Brennan on the rebound but does
care for him. His alcoholism combined with wealth almost kills
Brennan. Sadie suffers poverty and gains wealth, ultimately bridging
the gap with her friend Michael after Tommy's sad death.
Safe In Hell (1931
b 73) En: 5, Ed: 5
Based on a play by Houston Branch, a call-girl flees to an island
to escape a murder charge, marries a sailor and stays true to
him while he's gone.
In this tragedy Gilda learns that a safe haven for criminals
can be hell, because it is difficult to live with criminals. Though
she has been a prostitute, she chooses not to be abused by Bruno
even though it means death, because she has learned what true
love is.
Saint in London, The
(1939 b 72') En: 5, Ed: 4
The free-lance detective, aided by a woman and pick-pocket, helps
the inspector catch a gang of counterfeiters.
This detective adventure suggests that style and charm can
overcome the bad guys.
Saint in New York, The
(1938 b 72') En: 5, Ed: 4
Based on a novel by Leslie Charteris, New York's police commission
summons a rogue criminal to eliminate six notorious gangsters
that courts cannot convict.
Imitating the medieval Templar knights who tried to fight for
"good" with violence, the arrogant Simon delights in
hunting men he doesn't like. In the fantasy worlds of fiction
and movies he can live a charmed life and kill without being killed.
Saint Strikes Back, The
(1939 b 64') En: 5, Ed: 4
Based on a novel by Leslie Charteris, Simon Templar confronts
a tough beauty but helps clear her late father by catching the
criminals.
Although called a Robin Hood, rather than helping the poor
this Saint tracks down criminals for a beautiful woman and the
police.
San Francisco (1936
b 115') En: 8, Ed: 8
A Barbary Coast club owner falls in love with an opera singer,
while his priest-friend objects to her lowering herself to his
level.
This classic film contrasts the transcendental faith of Father
Tim and Mary to the strong self-confidence of Blackie, who mocks
"hocus pocus." Blackie and Mary are very attracted to
each other sexually; but she is on a different cultural level,
and while Blackie is impressed by opera, he isn't ready to adapt
until the trauma caused by the earthquake seems to transform his
skepticism into a deeper understanding and gratitude.
San Quentin (1937
b 71') En: 5, Ed: 5
An army officer is hired to discipline prisoners but falls in
love with the sister of an inmate who tries to escape.
Mean treatment by Druggin is replaced by a more intelligent
approach by Steve though his denying privileges to "habitual
criminals" is suspect. The drama is melodramatic, but Red
learns that Steve was trying to help him.
Sanders of the River
(1935 b 90') En: 6, Ed: 6
Adapted from Edgar Wallace's novel, a British officer lays down
the law for two million Africans in Nigeria.
Paul Robeson was understandably upset by the portrayal of Africans
as childish savages being taught about law by British imperialists
with guns. The story reflects how British officers dominated African
tribes without having much understanding of their cultures, though
the lesson of rule by law is universal.
Saratoga (1937
b 93') En: 6, Ed: 5
A bookie falls in love and tries to win money from her wealthy
fiancé while she suspects his motives.
Jean Harlow died of illness during the filming of this movie
that was one of the most popular of the year, thanks to its sentimental
value as the last exhibition of Harlow's beauty and raw emotional
power. Gable's Duke is also very likable as he expresses his love
for everyone, and Morgan provides his usual humorous character.
Satan Met a Lady (1936 b 76') En: 6, Ed: 5
This screwball detective story about several people trying to
get a valuable horn was loosely adapted from a novel by Dashiell
Hammett.
A tone of mockery pervades this absurd story of murder in order
to get an 8th-century horn, offering the intrigue of a detective
story while at the same time spoofing the genre.
Saturday's Heroes
(1937 b 60') En: 4, Ed: 5
A college football star fights against the athletic policies that
enable the business to prosper without paying the players.
Also spliced with comedy, this drama exposes the hypocrisy
of big-time college football that makes huge profits without paying
the players that make it prosper, causing athletes to accept money
dishonestly.
Scarface (1932
b 93') En: 7, Ed: 7
Based on a novel by Armitrage Trail, a Capone-like figure gains
underworld power with violent methods.
This film seems to be condemning violence at the same time
it is making money using it as entertainment. Tony is exposed
as a brutal killer who destroys himself and all those around him
except his mother and Poppy. The only suggested solution of banning
guns is heeded by no one.
Scarlet Dawn (1932
b 58') En: 5, Ed: 5
Based on the novel Revolt by Mary McCall Jr., a Russian
baron flees the revolution with his devoted servant.
Thus an aristocrat gets to learn another side of life. Yet
he finds happiness in love with his former servant. After having
given away the real necklace, he rejects Vera's trickery to get
money. Although their future appears uncertain, Nikita and Tanyusha
are happy to be re-united.
Scarlet Empress, The
(1934 b 105') En: 7, Ed: 8
Based on Catherine II's diary and directed by Josef von Sternberg,
a German princess has her husband Czar Peter murdered and becomes
empress of Russia.
Generally accurate, this film focuses on the personal life
of Catherine during her rise to power. Outstanding music, sets,
and costumes adorn the story of her ambitious machinations, seeming
to be justified by the portrayal of Peter as an imbecile.
Scarlet Pages (1930
b 65') En: 5, Ed: 4
Based on a play by Samuel Shipman and John B. Hyman, a woman lawyer
defends a dancer on a justifiable homicide and makes a surprising
discovery.
This courtroom drama portrays a capable woman attorney. Her
past sin is discovered as she defends a young dancer, who suffered
under an abusive father.
Scarlet Pimpernel, The
(1934 b 90') En: 7, Ed: 6
Based on the novel by Baroness Orczy, an English fop secretly
saves French aristocrats from the guillotine without telling his
blackmailed French wife.
This aristocratic fantasy implies that a useless fop may be
a courageous hero and that even his wife may not realize it. The
English are portrayed as civilized compared to the French terror.
Saving people from unjust death penalties is truly heroic though,
and the irony of the story is delightful.
Seas Beneath, The (1931 b 89') En: 5, Ed: 5
Americans use a merchant ship as a decoy to sink a German U-boat
in 1918.
In this story enemies at war can interact peacefully in a neutral
port but endeavor to destroy each other on the high seas. National
loyalty prevents Maria from leaving her country for the man she
loves.
Secret Bride, The (1934 b 64') En: 5, Ed: 5
Suggested by Leonard Ide's play, the Governor's daughter marries
the District Attorney but keeps it secret when her father is investigated.
This political melodrama exposes the corruption of a large
contributor as the manipulator behind the scenes.
Secret of Dr. Kildare,
The (1939 b 84') En: 6, Ed: 6
The intern lets his mentor rest while he works on the psychological
case of a millionaire's daughter.
The cantankerous doctor is dying but won't stop working until
the intern makes him rest in another episode that portrays humanitarian
zeal with humor and understanding.
Secret of Madame
Blanche, The (1933 b 84') En:
5, Ed: 5
Adapted from Martin Brown's play, a singer marries a gentleman
who depends on his father, and she loses her child to this grandfather.
This tragic melodrama hinges on an English gentleman who does
not know how to work and abrogates his life to his father. Yet
despite her long absence from his life, Sally becomes a positive
influence for her son.
Secret Six, The (1931
b 84') En: 6, Ed: 5
Bootleggers gain control of a town and move into the city; but
those still alive are eventually caught by an undercover investigation.
This gangster melodrama is based on the rise and fall of Al
Capone, who took over a Chicago suburb before moving into the
city. Acquitted for murder, he was eventually imprisoned for income
tax evasion.
Secrets of an Actress
(1938 b 70') En: 5, Ed: 5
An actress gets her play produced by two architects and has to
decide which one to marry.
In this romantic drama three people come to realize the difference
between friendship and being in love with someone.
Sequoia (1935
b 72') En: 5, Ed: 5
Adapted from Vance Hoyt's novel, a writer's daughter adopts a
puma and a deer, but the unnatural friendship is challenged by
a hunting neighbor.
Animal lovers will appreciate this sentimental drama showing
how human care fosters a friendship between a predator and its
usual victim. This tender loving is contrasted to the violence
and brutality of hunting.
Sergeant Madden (1939 b 81') En: 5, Ed: 6
A policeman's son becomes a hostile cop and turns to crime, causing
conflict for his wife and father.
This drama about one of New York's finest sergeants shows the
danger of a bullying policeman, who is contrasted to his humanitarian
father.
Seven Keys to Baldpate
(1935 b 69') En: 5, Ed: 4
Based on George M. Cohan's play from a novel by Earl Derr Biggers,
a novelist encounters criminals trying to get money from a safe
at an inn.
This well-made detective story offers entertainment for escape
but otherwise does not have much substance except the usual criminal
greed for money.
Shadow of Doubt (1935 b 74') En: 6, Ed: 5
A rich aunt helps a couple suspected of murder by discovering
who committed three murders.
Humor lightens this murder mystery that is cleverly solved
by a reclusive aunt and her nephew, whose spirited relationship
with each other and attitudes to others lift the tone of the film.
Shall We Dance (1937
b 109') En: 7, Ed: 6
In this Gershwin musical a rumor gets out that two dancers are
married; she is ambivalent about it, but they like to dance together.
This musical offers the public the entertainment they love.
The dancing stars pretend to be married to each other so as not
to be bothered by others.
She Done Him Wrong
(1933 b 65') En: 7, Ed: 6
Mae West adapted her play Diamond Lil in this melodramatic
comedy about a diamond-studded singer and her mostly criminal
friends.
Mae West makes excellent use of innuendo, and her character
Lou is easily transformed from diamonds to soul by the reforming
Cummings.
She Had to Say Yes
(1933 b 66') En: 5, Ed: 6
A secretary goes out with clients and chooses one over her two-timing
boss.
This film explores how businesses use women to seduce clients,
often resulting in sexual harrassment for the women and disappointment
for the men. The innocent Florence gains experience and decides
to settle for the lesser of two evils, since all men seem to be
bad.
She's Got Everything
(1937 b 73') En: 5, Ed: 4
When a woman inherits her father's debts, her creditors try to
get her to marry a wealthy man by getting her a job as his secretary.
This romantic comedy relieves the tension of concerns about
money and debts with humor and a romantic fantasy of finding a
handsome young man who is also very wealthy.
Shining Hour, The (1938 b 77') En: 5, Ed: 5
Based on Keith Winter's play, a dancer marries a man she likes;
but his sister objects, and his married brother falls in love
with her too.
The hostility of a spinster sister makes a difficult situation
so much worse, and only after causing much suffering does she
realize she was wrong to interfere.
Shipmates Forever
(1935 b 109') En: 5, Ed: 4
The singing son of an admiral reluctantly goes to the Naval Academy
and tries to avoid making friends, because he intends to refuse
his commission.
Dick gives in to his family's naval tradition even though he
dislikes military life. Patriotic notions of honor and service
of one's country lead people like Admiral Melville to value the
Navy; but no one mentions that a navy can be used by an imperial
power to kill people in other countries.
Shopworn Angel, The
(1938 b 85') En: 6, Ed: 6
A cynical New York actress is courted by a naive young soldier
from Texas on his way to war in France.
This touching romance contrasts the sophistication of a liberated
woman to the simpler values of an innocent soldier. His real emotion
and admiration for her beauty helps to revive the tired affair
Daisy is having with a producer. Her giving herself to Bill before
he leaves represents a patriotic sacrifice for war.
Should Ladies Behave?
(1933 b 88') En: 6, Ed: 6
Based on a play by Paul Osborn, a daughter looks for experience
with an older man, competing for his affection with her mother
and aunt.
This comedy explores various ironic situations as Laura tries
to revive a misremembered lost love; Leone looks for experience;
Max takes love where he finds it; Winnie tries to hold onto a
man; and Agustus prevents his daughter from making a mistake by
getting Geof on the ball.
Show Boat (1936
b 113') En: 8, Ed: 7
Based on the musical by Jerome Kern and Oscar Hammerstein II from
Edna Ferber's novel, the daughter of a show-boat captain becomes
a singer and marries a gambler.
Fine songs, writing, acting, and directing make this musical
excellent entertainment. The story portrays the injustice of race
prejudice and the sad consequences of alcoholism and a gambling
addiction.
Show Girl In Hollywood
(1930 b 78') En: 5, Ed: 4
Based on J. P. McEvoy's novel Hollywood Girl, a Broadway
understudy goes to Hollywood and stars in a musical picture.
This film shows that behind the stars at the studio can be
dashed hopes, false promises, and short careers.
Show-Off, The (1934
b 77') En: 5, Ed: 5
Based on a play by George Kelly, a bragging spendthrift gets married
and alienates his wife with his foolish lies until two big deals
he meddled in come through successfully.
A definite type is portrayed in this back-slapping extrovert
with grandiose ideas and little substance. This first sound version
puts a happy ending on what could have been a sad story. The changes
of fortune are realistic, though these two successes must be rather
rare. The economic concerns of the 20s and 30s are reflected in
the young couple's plight.
Sidewalks of New York
(1931 b 74') En: 5, Ed: 4
A landlord falls in love with a tenant and tries to keep her brother
out of trouble by providing a gym and putting on a play.
Keaton's sight gags highlight this comedy whose theme suggests
that love might stimulate the rich to help poor youth so they
won't commit crimes.
Sign of the Cross, The
(1932 b 123') En: 6, Ed: 7
Cecil B. DeMille directed this adaptation of a play by Wilson
Barrett about Christians persecuted by Nero.
The historical circumstances of this story while generally
true do not include a top Roman official sacrificing himself with
the Christians. The clash is poignant between the Roman values
of power and pleasure and the Christian virtues of gentleness
and mercy.
Silk Express, The (1933 b 61') En: 5, Ed: 4
Two murders occur on a train shipment of silk because of efforts
to keep a corner on the New York silk market.
This murder mystery reflects the dangers of business greed
in the era of rapid rail transport. A sharp lawyer proves necessary
for defense.
Silver Cord, The (1933
b 75') En: 5, Ed: 6
Based on Sidney Howard's play, a dominating mother tries to break
up one son's engagement and the other's marriage.
This drama is painful to watch, but it carries a powerful message
about an overbearing mother who cannot let go of her adult sons.
The independent Christina is able to liberate her husband from
his mother.
Silver Dollar (1932
b 83') En: 5, Ed: 5
Based on the life of H. A. W. Tabor, a storekeeper invests in
Colorado mines, becomes a silver millionaire and enters politics.
This melodrama portrays the gaining of a fortune as more luck
than business skill. One wonders if it is worth it in order to
have one's body buried in a silver casket. The philanthropy that
contributed to the opera house and the post office are probably
the lasting achievements.
Silver Horde, The (1930 b 75') En: 5, Ed: 5
Based on Rex Beach's novel, a man competes with a salmon syndicate
boss for fish and a fiancée, but he likes the woman who
helped him in business.
Realistic depiction of the salmon industry enhances this story
of a struggling businessman torn between his society woman and
the more experienced woman who helps him. Frank honesty wins out
over sophistication.
Silver Streak, The (1935 b 72') En: 5, Ed: 4
An engineer's new experimental stream-lined train rushes to deliver
iron lungs to victims of infantile paralysis.
This story dramatizes the value of new inventions in railroading
by its extra speed saving a life with an iron lung breathing machine,
suggesting that new technologies can improve living conditions
if men in powerful positions will allow them to be used.
Sin of Madelon Claudet, The
(1931 b 75') En: 6, Ed: 7
Based on Edward Knoblock's play The Lullaby, Helen Hayes
won a well-deserved Oscar playing the self-sacrificing mother
of an illegitimate son.
What society considers are Madelon's sins are shown to be selfless
sacrificing so that her son could have a good life. Spending ten
years in prison for what she did not do, she certainly paid for
more than her own sins, and her example became an inspiration
to her daughter-in-law.
Sin Takes a Holiday
(1930 b 81') En: 5, Ed: 5
A poor secretary marries the lawyer she works for so he can avoid
marrying someone else; she goes abroad and is courted by his friend
but returns.
This story implies that money helps Sylvia come out of herself
and learn how to attract men, ironically only after she is married.
Sing Me a Love Song (1936 b 75') En: 5, Ed: 4
In this musical comedy a young singer inherits a department store
and poses as a clerk to court a pretty clerk and learn the business.
The purity of romance is not spoiled by Jean knowing Jerry
is rich; but the audience is allowed to fantasize she will get
love and money. Shoplifting is satirized by the antics of Hammerschlag,
and Chris gets away with his false bragging.
Singing Kid, The (1936
b 85') En: 5, Ed: 4
A famous singer loses his voice, goes to the country, and falls
in love with a writer and her niece, curing him so he can make
a come-back.
Jolson fans will find this entertaining even though it satirizes
his style that is passing out of fashion. Another precocious little
girl (a la Shirley Temple) adds innocent charm, and at last the
jazz has an African-American orchestra with the talented Cab Calloway.
Singing Marine, The
(1937 b 106') En: 5, Ed: 4
A marine wins an amateur contest and becomes a popular singer;
but his success affects his relationships with his friends.
This musical comedy reflects United States military commitment
in Asia, where the Japanese were currently at war with China.
The shy Bob lets success go to his head, causing his friendships
to suffer.
Sisters, The (1938
b 99') En: 6, Ed: 6
Adapted from Myron Brinig's novel, three sisters marry and share
their marital troubles in four dramatic years.
Preview audiences, believing Louise's love for Frank despite
the problems, preferred this ending to Louise marrying Benson
as in the novel. Three very different sisters have diverse marital
fates in these dramatic portraits.
Six of a Kind (1934
b 64') En: 6, Ed: 5
Two couples share expenses traveling across the country and have
numerous comic mishaps.
This road comedy, built around the masterful talents of Gracie
Allen, W. C. Fields, and Charles Ruggles, helps audiences get
comic relief with a story that satirizes "vacations"
that consist mostly of long trips in a car.
6,000 Enemies (1939
b 62') En: 5, Ed: 5
An ambitious prosecutor is framed himself and has to face those
he sent to prison.
In this short drama a prosecutor learns the hard way that juries
can convict the innocent, and he has to face the consequences
of his prosecutorial zeal personally.
Sky Giant (1938
b 80') En: 5, Ed: 5
A tough army colonel trains airline pilots with an assistant,
who competes with the colonel's son for the same girl.
This drama about developing aviation that has a risky allure
for pilots portrays how three people can come to love and respect
each other even though marriage can only be for two.
Skyscraper Souls (1932 b 99') En: 6, Ed: 6
Based on Faith Baldwin's novel, the owner and workers in a skyscraper
seek money so that they can attract love.
Inspired by the recent Empire State building, this melodrama
exposes how ambition and desire for money can ruin people's lives.
Slight Case of Murder,
A (1938 b 85') En: 6, Ed: 5
Based on a play by Damon Runyon and Harold Lindsay, a bootlegger
goes legit after Prohibition and loses money; he takes on an orphan;
his daughter is engaged to a cop; and his men find a dead gang
in his house.
This satire of gangsters trying to alter their way of life
finds them failing because no one tells the boss his beer is terrible.
The couple tries to be more respectable but needs an education.
The problem is reflected in the juvenile delinquent they adopt
and in their interactions with gangsters.
Slim (1937
b 86') En: 5, Ed: 5
Based on a novel by William Wister Haines, two linemen risk their
lives working on power towers, and both love the same nurse.
This film was dedicated to the workers who help bring electricity
to millions, and the story reflects the power projects of the
New Deal to bring rural electrification. Red considers his job
so dangerous that he avoids marriage, and Cally fears the same
problem with Slim. In the end she decides to stay with him anyway,
showing how people can become accustomed to dangers.
Small Town Girl (1936 b 106') En: 6, Ed: 6
While drunk a wealthy young doctor marries a small-town girl and
then tries to pretend so he can divorce her and marry his fiancé.
This improbable story shows how a girl from a small town with
real love can win a wealthy Bostonian whose socialite fiancé
is a bad influence on him.
Smart Blonde (1937
b 60') En: 5, Ed: 4
A woman reporter helps a police detective solve two murders in
the first and only Torchy Blane movie actually based on a story
by Frederick Nebel.
This snappy detective story spawned eight more movies about
spunky Torchy Blane, who stands up for her rights as a reporter
and outsmarts her friend Steve though she does take evidence without
showing it to the police.
Smart Money (1931
b 82') En: 6, Ed: 5
A gambling barber gets taken, gets back, gets illegal gambling
clubs, and gets arrested.
Nick finds a way to cheat crooks and builds an illegal gambling
business. Others pressure the district attorney to crack down,
and he uses a stool pigeon. Nick is kind to those in need, but
his winning means others lose. Gambling, which can be as addictive
as alcohol, was also repressed during Prohibition, further stimulating
a criminal underworld as this story shows.
Smartest Girl in Town
(1936 b 58') En: 5, Ed: 4
A model, who wants to marry a man with money, falls in love with
a wealthy man she thinks is a poor model.
This short and sweet comedy plays on the rival goals of love
and money but pleases both desires of the audience by allowing
a gold digger to find a romantic marriage with a man she thinks
is poor but who is not.
Smilin' Through (1932 b 98') En: 7, Ed: 8
Based on a play by Jane Cowl, a man whose bride was murdered learns
to forgive when the murderer's son falls in love with his niece
he has raised.
This spiritual story bridges the living and the afterlife with
love and understanding after a great personal tragedy. The young
lovers are able to shake off the pain of John's loss after a devastating
war, while John learns the important lesson of the forgiveness
that frees love.
Snowed Under (1936
b 64') En: 5, Ed: 4
A man tries to rewrite his third act with help from his first
wife while distracted by a pretty neighbor and his second's wife
demand for alimony.
In this amusing comedy a playwright juggles three women while
a lawyer and deputy sheriff try to arrest him for unpaid alimony,
and unbelievably he gets his play completed in one night.
Snow White and the
Seven Dwarfs (1937 c 83') En:
8, Ed: 8
Based on the Grimm fairy tale, in the first animated feature in
color a jealous queen tries to kill her beautiful step-daughter,
who flees to the forest home of seven dwarfs and finds her prince.
This classic film makes this folk tale a basic part of the
culture. Snow White represents the perfect wife who cleans, cooks,
and responds to a kiss; but the dark side is a wicked witch poisoned
by jealousy. Aging does not have to be so bitter as indicated
by the joyful life of the working dwarfs, who represent a variety
of personalities; even Grumpy is susceptible to love. In this
spiritual fantasy all the animals cooperate with the loving Snow
White.
So Big (1932
b 81') En: 5, Ed: 5
In the first sound adaptation of Edna Ferber's Pulitzer Prize-winning
novel a woman raises her son on a farm; he gives up architecture
to sell bonds.
Artistic pursuits and hard work are promoted in this short
film covering a long period of time in the lives of a determined
woman, her drifting son, and her young artistic friend.
Society Doctor (1935 b 67') En: 5, Ed: 5
Based on a play by Theodore Reeves, a head intern gets fired,
considers private practice, is wounded, and directs his own operation.
All this melodrama takes place in one day, as the confident
Morgan challenges the old ways of the medical profession, while
the more pliant Ellis also develops his skills and demonstrates
friendship. Morgan struggles against the superficiality of the
upper classes while being tempted by its wealth.
Society Lawyer (1939
b 78') En: 5, Ed: 4
Based on the same story as the 1933 film Penthouse, a gangster's
lawyer agrees to defend a friend framed by another gangster and
gets a singer to help him catch the murderers.
Jilted lawyer Chris sobers up to handle a dangerous case, acting
more like a detective than a lawyer.
Solitaire Man, The (1933 b 67') En: 5, Ed: 4
Based on the play by Bella and Samuel Spewack, a famous jewelry
thief, wishing to retire, is drawn into another case and outsmarts
a murderer on an airplane.
Justifying their jewelry dealings as a way to help his dead
war buddy's relatives and because he couldn't find a job, Oliver
is ready to retire from the sordid business. He cleverly solves
the case begun by Bascom's blundering theft in a plot with many
surprising twists.
Son of a Sailor (1933 b 73') En: 6, Ed: 5
A lying sailor manages to catch two spies in this navy farce.
This comedy makes fun of navy life, boxing, military strategy,
spies, and war games through the character of a harmless liar,
who makes up fantastic stories about himself.
Son of Frankenstein
(1939 b 99') En: 6, Ed: 5
The scientist's son is a doctor and revives the monster, who is
controlled by a hanged man.
This sequel to Mary Shelley's story finds another generation
experimenting on prolonging life; but a convicted criminal wreaks
havoc getting revenge on his jury.
Son of Kong, The (1933
b 70') En: 5, Ed: 5
Sued for the damage King Kong did, Denham goes back to the island
for treasure and finds Kong's son, jewels, and a girl-friend.
This less meaningful but charming sequel to the adventure classic
still appeals to our feelings about large animals as Denham and
Hilda interact with the cute "little Kong" in helping
each other. Denham tries to redeem himself for Kong's death and
ends up rich, though Kong's son dies.
Song of Freedom (1936 b 77') En: 5, Ed: 6
A London dock-worker becomes an opera singer and then traces his
ancestors back to a West African island.
Costumes in this film remind one of Marcus Garvey and the movement
to return to Africa. Robeson's fine voice and humanitarian zeal
are combined in this story of a man who returns to his roots and
tries to help his people with the resources he gains from his
singing career.
Song of the City (1937 b 69') En: 5, Ed: 4
A broke man rejects marrying a millionaire and is saved from suicide
by a fishing family; then he falls in love with their singing
daughter.
This romantic drama celebrates the hard work of an immigrant
family that enables their children to reach higher goals, which
mis-matched marriages almost ruin. The decadent Paul gets a new
perspective on life from the happy working family and finds true
love.
Sons of the Desert (1933 b 68') En: 6, Ed: 5
Stan and Ollie lie to their wives so they can go to their lodge's
convention in Chicago.
Numerous slapstick gags and the humorous situations allow audiences
to release their tensions in laughter. The men fail to fool their
wives; but as Stan admits, he is stuck with his story.
Sorority House (1939
b 64') En: 4, Ed: 5
Two freshman girls are rushed by sororities but have contrasting
attitudes and results.
Dalton Trumbo wrote the screenplay for this hard look at the
values of the sorority system that classifies students at college
socially with often serious consequences for those who are rejected.
Souls at Sea (1937
b 93') En: 6, Ed: 6
An experienced seaman believed to be a slaver is tried after many
die in a sea disaster.
This romantic adventure story portrays the greedy motives behind
the infamous slave trade and explores the irony of a man trying
to stop it having to share its horrible reputation.
Soup to Nuts (1930
b 70') En: 5, Ed: 4
Cartoonist Rube Goldberg wrote this comedy about a bankrupt costume
shop.
This comedy relieves the strain of bankruptcy early in the
Depression with humor and the generosity of a young man in love.
Contrived inventions called Rube Goldbergs are demonstrated.
Spawn of the North
(1938 b 110') En: 6, Ed: 6
Two fishermen friends in Alaska come into conflict over the stealing
of fish and vigilante enforcement.
This drama of men struggling for wealth in a frontier with
crude law enforcement shows two friends taking conflicting paths.
As in many westerns, the problems caused by men taking the law
into their own hands end tragically.
Special Agent (1935
b 76') En: 5, Ed: 5
An IRS agent and his girl-friend bookkeeper for a gangster are
able to get the gangster convicted of income tax evasion after
other trials failed.
Al Capone was convicted of tax evasion in 1931, and this tactic
was used against other underworld leaders as well. This story
adds romance with the gangster's bookkeeper, allowing the audience
to root for the lovers and against the crime boss to a satisfactory
conclusion of each case. No one seems to question the ethics of
a government agent posing as a reporter.
Speed (1936
b 71') En: 5, Ed: 4
An inventor tests his new carburetor and hopes to win over the
woman who seems to like an engineer.
This romantic drama portrays two women in strong positions
with a modern company while a mechanical inventor from a poor
family has to overcome his own doubts.
Spirit of Youth (1938 b 66') En: 4, Ed: 5
Joe Louis plays a boxer like himself (except not as good), who
becomes champion.
This story is similar to the early career of Joe Louis except
that he never lost a professional fight until he was defeated
by European champion Max Schmeling. Production Code director Joseph
Breen warned the producers of this film its distribution in the
South was questionable because it shows a black boxer defeating
whites.
Spitfire (1934
b 87') En: 5, Ed: 6
Based on Lula Vollmer's play Trigger, a young hillbilly
woman prays and is accused of being a witch while two dam engineers
romance her.
This unusual story contrasts the simple faith of a poor woman
with two sophisticated engineers, one an irresponsible philanderer
and the other who learns about prayer. Trigger also has to learn
how to handle her own wild tendencies.
Sporting Blood (1931 b 82') En: 5, Ed: 5
Adapted from a novel by Frederick Hazlitt Brennan, a race horse
is bought and sold, treated well and badly, but is rehabilitated
to win the Kentucky Derby despite a handicap.
This dramatic story of a thoroughbred gives us the horse's
point of view and realistically portrays a family of black servants
on a horse farm. These natural elements are contrasted to the
artificial world of gambling and greedy crooks.
Spring Madness (1938 b 68') En: 5, Ed: 4
Adapted from a play by Philip Barry, two students plan to go to
Russia; but one is in love with a woman who wants to attend the
spring dance.
Several women use their clever tricks to keep Sam around so
that Alex can land him. This comedy implies that the far-flung
plan of a college student to visit Communist Russia has little
chance when women conspire to restrain him with the lures of marriage
and a good job.
Squaw Man, The (1931
b 107') En: 6, Ed: 6
Cecil B. DeMille directed this story of an aristocrat who leaves
England under a cloud and marries a native American.
This story contrasts the English aristocracy with the west
of the cowboys and natives. Almost wanting to die, Jim is willing
to sacrifice himself. The open attitude of Jim toward Naturich
is overshadowed by the prejudice of some white men. This film
has perhaps often been disregarded because it deals with controversial
intermarriage, which can be of great benefit in developing multi-cultural
understanding.
St. Louis Kid, The (1934 b 70') En: 5, Ed: 4
A truck-driver gets out of jail by siding with farmers but then
is arrested for challenging their boycott and is accused of murder.
This tough and funny melodrama is vintage Cagney with the feisty
little guy taking on the hoodlums. Underlying the gangster story
is the plight of workers such as truck-drivers and farmers, who
can be easily exploited by the money interests.
Stablemates (1938
b 90') En: 6, Ed: 6
An outlawed veterinarian operates on a horse and adopts her young
owner in this heart-warming story of two men and a horse that
love each other.
This heart-opener portrays an alcoholic, who is reformed by
the love of a young man as they cooperate to heal a thoroughbred
and work together.
Stage Door (1937
b 92') En: 7, Ed: 7
Based on a play by Edna Ferber and George S. Kaufman, a rich young
woman joins struggling actresses at a boardinghouse and gets a
part she does not deserve.
The difficult struggle of young actresses is portrayed with
comedy and drama in a profession that makes a few stars while
some hang on, and most quit. The callous Anthony lies about being
married so that he can have one affair after another with actresses
anxious to please a producer. Tragedy occurs when a sensitive
actress is denied a role that was bought for an inexperienced
actress. Thus the underside of the theater exposed.
Stage Mother (1933
b 85') En: 6, Ed: 6
A young widow leaves the theater and pushes her daughter into
theatrical success but not happiness in this adaptation of a novel
by Bradford Ropes.
This story explores a frustrated and ambitious stage mother,
who blocks her daughter's personal fulfillment to further her
career. When her daughter disowns her as a mother, she realizes
how wrong she has been.
Stage Struck (1936
b 92') En: 5, Ed: 4
A director clashes with a star backing her own show while falling
in love with a newcomer in this trimmed-down Busby Berkeley musical.
Ironically this musical is marred by the off performances by the
female leads. Although Blondell is usually good, she over-acts
in this presumptuous role. Madden's acting was poor, and her career
soon faded. Thus the reality behind the film mirrors the difficulty
of show business in this musical comedy that also satirizes Freudian
psychology.
Stagecoach (1939
b 96') En: 7, Ed: 6
A stagecoach travels through Apache country with an escaped convict
looking for revenge, a fleeing prostitute, a pregnant woman, an
alcoholic doctor, a gambler, a whiskey salesman, and a marshal.
This landmark western established the genre as more than B
pictures. Yet other than the Mexican's wife the Apaches are only
attackers, who seem to represent alien enemies Americans must
fight in inevitable war. Ringo foolishly risks his life for revenge
to show his manhood and surely would have been killed if it were
not a movie.
Stamboul Quest (1934 b 86') En: 6, Ed: 6
Based on a true story, a German counter-spy is sent to catch a
Turkish traitor and falls in love with an American.
Though she claims she is working to end the war, Annemarie
stops the British from getting information that might have caused
Germany to surrender sooner. Surprisingly the American hero loves
a German spy and does nothing to stop her.
Stand Up and Cheer
(1934 b 69') En: 5, Ed: 4
Based on ideas by Will Rogers, the U. S. President appoints a
Secretary of Amusement to raise the nation's spirits during the
Depression.
Ironically the marching scenes at the end foreshadow the march
into world war that ended the Depression. This musical seeks to
entertain but also indicates business and political hostility
to spending money on such things.
Stand Up and Fight
(1939 b 97') En: 6, Ed: 5
An impoverished southern aristocrat finds himself working for
a Yankee woman on her stage-line but spies for the railroad.
This ante-bellum drama explores the plight of slaves, the fugitive
slave law, convict labor, and the conflict between early railroads
and stage-lines.
Stand-In (1937
b 91') En: 6, Ed: 5
Adapted from Clarence Budington Kelland's novel, a numbers cruncher
takes over a movie studio to prove it can make a profit.
This satire of the movie-making business shows a man believing
only in math transformed by the love of a former child star while
he is trying to clean up a corrupt studio system.
Stanley and Livingstone
(1939 b 100') En: 7, Ed: 8
This drama tells how a reporter found a famous missionary in the
heart of Africa.
The Wyoming incident is fictitious; Bennett was in Paris when
he sent Stanley to Africa. Although Stanley did not become a missionary,
he made great contributions to the exploration of Africa. This
drama well portrays his determination and the humanitarian Dr.
Livingstone.
Star Is Born, A (1937
c 111') En: 7, Ed: 7
A young actress becomes an instantaneous movie star while her
alcoholic husband's career plummets.
This classic Hollywood story shows the sudden rise and fall
of movie stars with exhilarating and tragic results. The film
even attempts to convey that the chances of becoming a star are
one in 100,000, though it does not dwell on the many that fail.
The shame of a man being supported by a woman does not help Norman's
drinking problem.
Star of Midnight (1935 b 89') En: 6, Ed: 5
Adapted from Arthur Somers Roche's novel, a lawyer, asked to find
a disappeared actress, solves the murder caused by her reappearance.
This story offers escape entertainment for those who like a
complicated mystery relieved with romantic comedy, as Dalzell
finds the killer, and Donna gets her man.
Star Witness, The (1931 b 68') En: 6, Ed: 6
A family witnesses two murders by a gang leader and is intimidated
not to testify against him, except for the grandfather.
This story explores the conflict between a family's threatened
security and the larger public good of stopping violent criminals.
The aged veteran risks his life and is even willing to sacrifice
his family's safety, because he believes that gangsters should
not be allowed to control things.
Stars Over Broadway
(1935 b 89') En: 5, Ed: 5
A promoter helps a young singer become a star, first in crooning
and then in opera, while falling in love with another singer.
This show displays operatic singing talent while Al struggles
with the dilemma between quick success and high art. He loves
a purity he sees in Nora and is afraid she will be corrupted the
way Jan was for a while. The story ends on a high note with Jan
beginning an opera career, while Al and Nora get together to marry.
State's Attorney
(1932 b 79) En: 5, Ed: 6
A defense attorney for a mob boss becomes district attorney and
prosecutes his old boss.
Cardigan uses clever tricks to win his cases but ultimately
he agrees with June that it is better not to be on the side of
the police. Although probably a former prostitute, she is eager
to help him cure his alcoholism. Ultimately Cardigan gives up
ambition for love.
Stolen Holiday (1937 b 81') En: 5, Ed: 5
A Russian swindler in Paris gets a model to help him start a business;
they become successful partners, but she falls in love with a
diplomat.
This drama pauses to cater to people's interest in Paris fashions
while offering a moral tale warning a woman against letting her
love for a man trip her up. In gratitude Nicole extends herself
for her unethical friend.
Storm at Daybreak
(1933 b 79') En: 5, Ed: 5
Adapted from Sandor Hunyady's play, during the world war the wife
of a Serbian mayor falls in love with a Hungarian officer.
The historical context of the world war's triggering event
frames this romantic triangle in which two friends love the same
woman. After the Austro-Hungarian empire lost, a vindictive Serbian
stimulates his own violent end that enables the lovers to be together.
Story of Alexander
Graham Bell, The (1939 b 97')
En: 7, Ed: 8
A teacher of the deaf experiments with transmitting sound, invents
the telephone, and marries one of his deaf students.
This true story is substantially accurate and portrays the
struggles of a young inventor with genius and vision. He is assisted
financially by two fathers of his students and encouraged by his
wife, bringing about one of the most useful and lucrative inventions
to civilization.
Story of Louis Pasteur,
The (1936 b 87') En: 7, Ed: 9
The famous microbiologist warns doctors about spreading germs
and proves that his vaccines for anthrax and rabies are effective.
Pasteur's story is structured to dramatize his discoveries
and makes many wonderful points about how to prevent and cure
disease; but perhaps more significantly it shows the skepticism
an innovator must overcome with hard work and perseverance in
order to make progress for humanity.
Story of Vernon and
Irene Castle, The (1939 b 93')
En: 6, Ed: 5
Based on stories and advice from Irene Castle, this biographical
musical portrays the influential and romantic dancers.
Dancing of the World War I era is depicted as the Castles popularize
romantic dancing until he is lost in the war. Once again the innovative
artists have to struggle financially before their work becomes
accepted.
Stowaway (1936
b 87') En: 6, Ed: 6
An American orphan in China is taken aboard a ship by a wealthy
playboy and charms him into getting married in order to adopt
her.
Highlighted with Chinese proverbs, an innocent and wise child
helps a playboy to reform and the woman he loves to realize she
loves him.
Stranded (1935
b 73') En: 6, Ed: 7
A woman helps people through Traveler's Aid and is romanced by
a man with a work ethic building the Golden Gate bridge challenged
by corruption.
Made during the building of the elegant bridge, this drama
contrasts Lynn's charitable work with Mack's social Darwinism.
His tough approach is effective; but her love triumphs in the
end in this feminist film.
Strange Interlude
(1932 b 110) En: 6, Ed: 8
Based on Eugene O'Neill's play, a grieving woman manages to keep
three men in her life by dividing her love between them. In this
absorbing drama the audience gets to hear thoughts of the characters
as well as the spoken words, a marvelous technique, though in
this production the emotional tone of the acting seemed melodramatic
to me.
The fascinating voice-over enables us to understand better
how each character's thoughts and feelings differ from their outward
behavior and speech. Thus we can penetrate their psyches and hidden
motives, making the gap between hopes and reality stark.
Strange Love
of Molly Louvain, The (1932 b
73') En: 6, Ed: 6
Based on a play by Maurine Watkins, an orphaned woman has a child
and is caught up with a racketeer but meets a reporter covering
her case.
This mature melodrama portrays a woman caught in circumstances
like the mother who abandoned her. A cynical reporter sees what
she is but is moved to sincerity by her turning herself in to
help her daughter.
Strangers May Kiss
(1931 b 81') En: 5, Ed: 5
Based on the novel by Ursula Parrott, a woman loves a traveling
journalist and foregoes marriage, becoming promiscuous when he
leaves her.
After experimenting with freedom and romances, Lisbeth and
Alan realize they love each other.
Street Scene (1931
b 79') En: 6, Ed: 6
Elmer Rice adapted his own play about tenement neighbors who gossip
about a married woman seeing another man.
In this slice of city life a variety of characters interact
with their different values. What seems like just talk turns out
to affect people's lives with serious consequences.
Strictly Dynamite
(1934 b 71') En: 5, Ed: 4
Based on a play by Robert T. Colwell and Robert A. Simon, a writer
makes money writing gags for a radio personality and ignores his
wife.
Moxie's many malapropisms mangle meaning, adding to the hilarity
of this otherwise typical comedy of a young writer spoiled by
success.
Stronger Than Desire
(1939 b 78') En: 5, Ed: 4
Based on W. E. Woodward's novel and very similar to the 1934 film
Evelyn Prentice, the wife of a lawyer shoots a blackmailer
and gets her husband to defend the wife.
This uneven drama has poetic justice in that the conniving
blackmailer is the only one badly hurt. A secondary theme is that
this successful lawyer is so fascinated with his work that he
has little time left for his family.
Student Tour (1934
b 84') En: 5, Ed: 4
A college crew goes on a world tour with their philosophy professor
while their captain falls in love with his niece.
Durante's comedy is the main highlight in this escape entertainment.
As usual, college sports seems much more important than philosophy.
Suez (1938
b 98') En: 6, Ed: 6
This tale of the man who built the Suez Canal is a mixture of
fact and fiction.
De Lesseps' diplomatic career was ruined by a controversy in
Italy, not as portrayed in this film. Eugenie was Ferdinand's
cousin and supported the canal project. The canal was begun in
1859, and Empress Eugenie attended the opening in 1869. Disraeli's
British government did not purchase a majority of the shares until
1875.
Sunny (1930
b 78') En: 5, Ed: 4
Adapted from the Holbach-Hammerstein-Kern musical, a circus dancer
stows away on a boat and marries so she can land, get divorced,
and then marry the man she loves.
While offering mildly amusing humor and musical entertainment,
this story shows how off-hand marriage and divorce are treated
in the movies.
Super Sleuth (1937
b 70') En: 6, Ed: 5
Based on Harry Segall's play, a movie star, who plays detectives,
thinks he can solve a real crime better than the police.
This comedy satirizes detective movies and Hollywood stars
who get caught up in their own glamour, confusing their roles
with reality.
Supernatural (1933
b 65') En: 6, Ed: 7
A spiritualist tries to take an advantage of a bereaving woman;
but an executed murderess takes over her body to get revenge on
him.
This plausible horror story is based on the spiritualist understanding
that the soul leaves the body at death and may possess other bodies
that somehow allow this to occur. Dr. Houston's point that executed
criminals may haunt others, causing more crimes, is another argument
against capital punishment.
Susan Lenox (Her Fall and Rise)
(1931 b 76') En: 5, Ed: 5
This film portrays the troubles a woman goes through to find the
one man she loves.
This mostly sad but romantic story enables the audience to
experience the longing and difficulties experienced by a romantically
ideal woman (Garbo) and man (Gable). He wants her to be faithful
only to him and almost ruins his life when her life's challenges
do not allow that purity. Her perseverance and determination in
spite of great difficulties is admirable and finally rewarded,
bringing emotional resolution.
Susannah of the Mounties
(1939 b 78') En: 5, Ed: 5
Based on Muriel Denison's book, an orphaned girl is found by a
Mounty and helps to make peace with the Indians upset by the new
railroad.
A little girl bridges the two cultures while learning how squaws
are treated by proud braves, as the natives react to the onslaught
of white civilization foreshadowed by the life-changing railroad.
Suzy (1936
b 93') En: 6, Ed: 5
Based on Herbert Gorman's novel, a chorus girl marries an inventor,
who is shot by a spy; then she marries a womanizing French flyer,
and all three meet.
Although Suzy finds her aristocrat, he turns out to be a war-hero
playboy, while her inventive previous husband becomes her secret
hero. This drama contains much irony amid the melodramatic violence
of war.
Svengali (1931
b 81') En: 5, Ed: 5
A music master mesmerizes a young model into becoming his wife
and a concert singer in this adaptation of George Du Maurier's
novel Trilby.
This story shows the mutual dependence of a domineering personality
over a submissive one. Svengali can control Trilby, but in that
control he cannot experience her own love. Having taken her love
for Billee away from her, he is left with nothing but his own
psychic power and death.
Sweepings (1933
b 80') En: 6, Ed: 6
Adapted from Lester Cohen's novel, a father wants his sons to
take over his department store, but he is disappointed.
Dan and Abe built a business empire; but Abe had no other life,
and Dan discovered than none of his children were suited to run
his business. This drama explores the father's disappointment
in his children not living up to his expectations.
Sweet Adeline (1934
b 88') En: 6, Ed: 5
A composer almost loses his girl-friend when she stars in his
musical play in this adaptation of the operetta by Jerome Kern
and Oscar Hammerstein.
The Major symbolizes American imperialism as he wants to exploit
but not marry Adeline. The musical Sid loves her and finally wins
her.
Sweethearts (1938
c 114') En: 6, Ed: 5
In this adaptation of Victor Herbert's operetta, a couple starring
in a musical for six years are tempted by Hollywood but are deceived
into separating.
This musical comedy reflects the differences between performing
on Broadway or in the movies as the stars repeat their performance
for a live audience daily but have little time to relax.
Swing Time (1936
b 103') En: 7, Ed: 6
A dancer needs $25,000 to marry his fiancé but falls in
love with another dancer in this delightful musical.
Superb songs and dancing highlight this musical comedy about
two gamblers who find more suitable partners.
Swing Your Lady (1938 b 78') En: 5, Ed: 4
Based on a play by Kenyon Nicholson and Charles Robinson, a wrestler
is pitted against a female blacksmith but falls for her and defeats
her suitor.
This farce satirizes country folk, the "sport" of
wrestling, and a big woman. Hollywood seemed to be reaching for
a different audience in this one.
Sworn Enemy (1936
b 73') En: 5, Ed: 4
A young man, his girl-friend, and her father investigate racketeers
for the District Attorney.
In this racketeering melodrama Emerald is portrayed as trying
to gain power to compensate for his physical debilitation. The
audience roots for the young lovers to overcome the dastardly
gangsters.
Sylvia Scarlett (1936 b 94') En: 6, Ed: 6
Based on Compton MacKenzie's novel, two smugglers and a daughter
dressed as a boy wander England conning and then doing shows until
the jealous father commits suicide and his daughter falls in love
with an artist.
Naturally attracted to women, Jimmy admits to Sylvia it is
a "pig's world." Henry could not handle his jealousy;
but after dubious ventures with her father, Sylvia finds Michael.
Symphony of Six Million
(1932 b 95') En: 5, Ed: 6
Adapted from the Fannie Hurst novel, the son of a poor tailor
becomes a doctor on Park Avenue.
This story explores the temptation of wealth available to a
top surgeon; yet Felix comes to realize that helping the poor
is more important.
T
Tabu: A Story of the South Seas
(silent 1931 b 81') En: 5, Ed: 6
Only South Sea islanders appeared in this silent film about a
young couple violating a sacred tabu.
This archetypal story has Matahi suffering for violating a
native sexual tabu and for not understanding the civilized money
system. In spite of his diving skill and ability to elude the
shark, the combination of these two problems causes his death.
The film won the Oscar for cinematography and enables the audience
to experience something of the simple of beauty of living on a
South Sea island.
Tale of Two Cities, A
(1935 b 126') En: 8, Ed: 8
In a fine adaptation of Charles Dickens' novel an alcoholic English
lawyer sacrifices himself to save an aristocratic husband from
the guillotine.
This story contrasts the French terror to the English moderation
that only lost the American colonies in this revolutionary era.
Carton, not finding much success or value in living, makes his
death meaningful by helping others.
Tarnished Angel (1938 b 56') En: 5, Ed: 5
A chorus girl turns her con ability to revival meetings and plans
to steal but is given an opportunity to help a children's hospital.
A woman uses religion and deception to make money but finds
her course turned to real charity by a persistent cop, a philanthropist,
and an actual religious experience. Her good side also helps her
fiance to reform his life to make himself worthy of her. This
transformation of the cynical invites the audience to experience
the same vicariously.
Tarzan and His Mate
(1934 b 104') En: 7, Ed: 6
Harry returns with a womanizing ivory hunter to win back Jane
with dresses; but Tarzan survives their violent greed and saves
Jane.
Still much less inhibited by censors than later sequels, this
adventure shows a woman enjoying a free and natural life with
her faithful mate and protector. This innocence is contrasted
to the violent greed of the ivory hunters who sacrifice all for
tusks.
Tarzan Escapes (1936 b 90') En: 6, Ed: 5
Jane's relatives want her to return to England to inherit a fortune,
and a hunter tries to capture Tarzan in a cage.
In this adventure the happy, natural life of Tarzan and Jane
is contrasted to a greedy hunter, who kills and enslaves for profit.
Rita and Eric come to realize that Jane is happier there than
a million pounds could make her. Thus civilization is challenged
by natural kindness.
Tarzan Finds a Son!
(1939 b 82') En: 6, Ed: 5
An orphaned white child is adopted by Tarzan and Jane, and his
relatives come looking for evidence this heir is dead.
This adventure contrasts wild Africa with the devious violence
of greedy Europeans as Tarzan and Jane struggle to keep a child.
Tarzan, the Ape Man (1932 b 100') En: 6, Ed: 5
In the first sound adaptation from the novels of Edgar Rice Burroughs
Jane meets Tarzan, who saves her safari from a tribe of dwarves.
Church groups complained that Jane was living in sin with Tarzan
and insisted on more censorship in sequels. This story offers
adventure with African animals cooperating with Tarzan, as a woman
finds friendship with a "natural man."
Taxi! (1932
b 69') En: 5 Ed: 5
Based on Kenyon Nicholson's play, a taxi driver copes with hostility
from others and himself while marrying a woman who wants him to
change.
Can the love of a woman soothe the fiery temper of a tough
guy? Sue seems to have little success with Matt; but he can be
kind at times, and there is hope he will learn to control himself
in the future. The taxi war shows how fierce urban competition
can be when money is at stake.
Tell No Tales (1939
b 69') En: 6, Ed: 5
A newspaper editor has his paper closed but tries to save it by
tracking down kidnappers and reporting the story.
This drama depicts a variety of characters in diverse social
situations as this desperate newspaper man fearlessly seeks criminals
and his precious story.
Tenderfoot, The (1932
b 70') En: 5, Ed: 4
A cowboy from Texas goes to New York and invests $20,000 in a
show that flops before it is turned into a satire.
This comedy plays upon the contrast between a naive cowboy
in modern New York as he is exploited by gangsters but saved by
Ruth's love.
Test Pilot (1938
b 120') En: 7, Ed: 6
A test pilot gets married; his wife and best friend have to deal
with the dangers he faces.
This drama of a close three-way friendship foreshadows the
next war with its development of the war-fighting planes and the
training of pilots.
Testament of Dr. Mabuse
(German 1933 b 111') En: 7, Ed: 7
Based on a novel by Norbert Jacques, a criminal gang directed
by the hypnotic Dr. Mabuse, even after his death, is finally caught
by the police.
This fascinating story expresses the current terror in a Germany
driven by the ghosts of its war dead crying for violence as revenge.
When intelligence and will are directed toward domination and
exploitation by means of violence, many evils and crimes result.
That Certain Woman
(1937 b 94') En: 5, Ed: 5
A gangster's widow is loved by her married boss and marries a
wealthy man, but his father gets it annulled.
This well acted drama portrays complex emotions in difficult
circumstances. The prejudice of J. B. Merrick ruins a marriage,
and Mary demonstrates extraordinary maturity and self-sacrifice
in conceding to Flip.
That Girl from Paris
(1936 b 104') En: 5, Ed: 4
A French opera singer without a passport joins an American jazz
band on a ship and hides out with them in this musical comedy.
This amusing comedy offers both operatic and jazz music, while
laws on national borders, jealousy, and misunderstanding keep
the plot moving.
There Goes My Girl
(1937 b 74') En: 5, Ed: 4
A couple of competing journalists are kept from marrying by an
editor who doesn't want to lose his best reporter.
This frantic comedy plays upon the difficulty two busy reporters
might have being married and the extent to which an editor will
go to get stories.
These Glamour Girls
(1939 b 79') En: 6, Ed: 6
Socialite college students encounter a dime-a-dance girl and find
themselves examining their attitudes and values.
Aristocratic college students are exposed for their decadent
values as the son of a wealthy man has his life changed by a beautiful
working woman.
These Three (1936
b 93') En: 7, Ed: 8
Lillian Hellman adapted her own play, The Children's Hour,
about a school-girl who ruins the lives of her two teachers with
a vicious rumor.
Current censorship and society's closeting of homosexuality
caused the original lesbian plot to be changed into a heterosexual
triangle; but the consequences of Mary's spiteful lies are devastating
nonetheless.
They Gave Him a Gun
(1937 b 95') En: 6, Ed: 7
Adapted from William Joyce Cowan's novel, two men drafted into
the world war fall in love with the same nurse but have different
values after the war.
This drama shows how war training can have unintended consequences
on some. Fred tries to persuade Jimmy that violent crime will
not work.
They Learned About
Women (1930 b 95') En: 5, Ed:
4
Two friends team up in vaudeville and baseball. The pitcher's
engagement is broken off when a gold-digger gets him to marry
her; but after a separation they win the World Series.
Two experienced vaudevillians bring their talent to the screen
in a story that affirms their friendship as well as their partnership.
Jack is led astray by the selfish Daisy; but the loyal Mary and
his best friend help him restore their winning team.
They Shall Have Music
(1939 b 101') En: 5, Ed: 6
Adapted from Charles L. Clifford's novel, a boy runs away from
a hostile home and finds a school teaching poor children music;
he gets help from the violinist Jascha Heifetz.
Outstanding classical music highlights this drama in which
those helping poor children to develop their musical talents have
to struggle with economic realities.
They Won't Forget
(1937 b 95') En: 7, Ed: 7
Based on a novel by Ward Greene, an ambitious prosecutor in the
South uses circumstantial evidence to convict a northern teacher
of murder.
This film dramatically depicts many southern prejudices and
was not shown in some theaters in the South. Though fictional,
it is similar to the infamous Mary Phagan case of 1913. Some believe
that the controversy of this movie prevented studios from producing
such pictures for many years to come.
Thin Ice (1937
b 78') En: 6, Ed: 5
Based on a novel by Attila Orbok, an incognito prince falls in
love with an ice skater while rumors fly the prince is romancing
her.
This musical comedy reflects interest in ice skating and satirizes
the aristocratic ways of European diplomacy.
Thin Man, The (1934
b 88') En: 7, Ed: 6
Based on a novel by Dashiell Hammett, a retired detective and
his wife cleverly solve three murders that have sent the police
astray.
Buoyed by a happily married couple's witty banter, this charming
film started a series and even a trend. Even the dog provides
laughs. The constant drinking seems to be a celebration of Prohibition
ending.
Things to Come (1936
b 95') En: 6, Ed: 8
H. G. Wells adapted his own novel about a long world war and the
first rocket carrying people to the moon in 2036.
This story prophesied the next world war and portrayed its
destructiveness, though the lesson recommended still has not been
learned. Ironically the cold war enabled men to land on the moon
as early as 1969; but whether humanity will organize itself to
prevent wars by 2036 is still an open question, and the possibility
of nothing instead of all the universe is still a real possibility
unless we do.
Thirteen Women (1932 b 60') En: 5, Ed: 4
In this adaptation of Tiffany Thayer's novel, a half-caste Indian
gets revenge against sorority sisters by using horoscopes and
the power of suggestion.
This violent story reflects fears of how the occult may cause
deaths when it is grossly abused. Resentment from racial discrimination
is understandable, but trying to get revenge by bringing about
so many deaths is way out of proportion and just adds more misery
to the world.
39 Steps, The (1935
b 86') En: 7, Ed: 7
Adapted from a John Buchan novel by director Alfred Hitchcock,
a Canadian tries to break a spy ring in Scotland after he is suspected
of murder.
Directed with fine style, an innocent man is sought for murder
while trying to find spies who are trying to kill him, creating
great suspense as the audience can identify with him or Pamela.
The story reflects the modern intrigue involved in keeping and
stealing military secrets.
This Man Is Mine (1934 b 76') En: 5, Ed: 5
A happily married man is seduced by his first love, who had rejected
him but is now divorced, in this adaptation of Anne Morrison Chapin's
play.
This love triangle shows how a seductive woman can make a fool
out of a man. Fortunately Fran finds someone more like herself,
and the foolish Jim is driven back to his faithful wife a wiser
man never would have left.
This Modern Age (1931 b 68') En: 4, Ed: 5
A young woman visits her divorced mother in Paris, meets her libertine
crowd, and falls in love with a conservative Harvard man, who
disapproves.
This drama explores the changing morality of the modern age
and the social conflicts that may result from differing views.
Bob and his parents disapprove of Diane being a kept woman without
marriage. The situation seems to be resolved when Diane agrees
to be kept by Bob instead of André. Bob and Val love each
other, and that is what matters to them.
Thoroughbreds
Don't Cry (1937 b 80') En: 5,
Ed: 4
A jockey is persuaded by his father to throw a race; but he helps
his English friend win the cup.
The tears in Tim's eyes as he pleads for his friend indicate
that the title is not necessarily true. This first co-starring
of Rooney and Garland marks a new trend of popular films about
young people. The crooked father exploiting his own son shows
the darker side of gambling.
Three Comrades (1938 b 99') En: 7, Ed: 7
F. Scott Fitzgerald got his only screen credit adapting Erich
Maria Remarque's novel about three German war veterans, who love
each other and a dying woman.
Post-war German difficulties are the background for this moving
drama of close friendships as veterans and aristocrats have economic
problems.
Three Godfathers (1936 b 81') En: 6, Ed: 7
Based on Peter B. Kyne's novel as was the 1930 film Hell's
Heroes, three bank robbers lose their lives but save a
baby in the desert.
This spiritual drama reveals that even men forced by circumstances
or their character to rob a bank are human and can sacrifice themselves
to save an innocent child.
Three Loves Has Nancy
(1938 b 70') En: 6, Ed: 5
A sincere girl from a small town cooks for two New Yorkers and
finds her way into their hearts even though she is engaged to
someone else.
This comedy contrasts the authenticity of Nancy and her values
to the cool sophistication of New York; but love bridges the differences.
Three Men on a Horse
(1936 b 87') En: 6, Ed: 5
Based on a play by John Cecil Holm and George Abbott, three gamblers
find a greeting-card poet who can pick winning horses.
This hilarious comedy is based on a fantasy premise that is
a gambler's dream come true. The irony is that Erwin only wants
to keep his job and won't bet, while the greedy gamblers want
to make money without working.
Three Musketeers, The
(1935 b 96') En: 5, Ed: 5
Based on the first half of the Dumas novel, D'Artagnan joins three
Musketeers in a special mission to stop a traitorous intrigue.
Unable to keep "his hand out of dueling, his head out
of politics, and his heart out of love," D'Artagnan (and
the audience) thrive on his adventures in a still chivalrous age.
Three on a Match (1932 b 63') En: 5, Ed: 5
Three schoolgirls cross paths when one leaves her husband and
another marries him, resulting in a tragic kidnapping.
This story shows how people can change. After reform school
Mary rises from a chorus girl to become a lawyer's wife and a
responsible stepmother, while the popular Vivian degenerates into
debauchery and alcoholism. Yet she nobly throws her life away
to save her child. How many people died from the cigarettes tobacco
companies gave to soldiers in the war, which greatly stimulated
the smoking habit?
Three Smart Girls
(1936 b 84') En: 6, Ed: 5
Three daughters try to stop their divorced father from marrying
a gold-digger, while one of them falls in love with the wealthy
man used as bait.
This film is significant for helping to begin a trend of movies
about teenagers. Their energy and good intentions are expected
to help the adults solve their problems, and in a comedy they
usually do.
Three Who Loved (1931 b 64') En: 4, Ed: 5
While her fiancé studies law, an immigrant woman falls
in love with his best friend, who spurns her and is falsely convicted
of theft.
This love triangle explores the two men's different temperaments
and life-styles that come into conflict over an immigrant woman.
Phil lives for momentary pleasures, while John calculates and
plans for success with law and outside it. John learns that betraying
his friend made himself unhappy too.
Thunder Afloat (1939
b 95') En: 6, Ed: 5
Rival ship captains join the Navy and fight German submarines.
This world war drama prepares Americans for the probability
that they will soon be fighting Germans again, and the emergency
enables the quarreling rivals to gain a spirit of cooperation.
Tiger Shark (1932
b 78') En:6 , Ed: 6
A successful tuna fisherman has bad luck with women and sharks
in this realistically filmed melodrama.
The fishing scenes are real, but it is jealousy that leads
to Mike's tragedy in the age-old triangle. Whoever can distinguish
the soul from the body knows that a maimed body cannot tarnish
the immortal soul.
Tillie and Gus (1933
b 58') En: 6, Ed: 5
Two gambling missionaries help a young couple save their ferry
boat in a race for the franchise.
In this short comedy the W. C. Fields character uses various
questionable methods to triumph over other even more reprehensible
characters, allowing the audience to fulfill their socially unacceptable
wishes to cheat and win in devious ways, because they are being
used to help the innocent get what they deserve.
Times Square Lady
(1935 b 68') En: 5, Ed: 4
A young woman inherits a sports empire and faces crooked businessmen
trying to take it away from her; but she sells it to the man she
loves.
Businessmen try to cheat a woman out of her inheritance primarily
because of her sex, exposing corruption and its violence; but
she falls in love with the man who appears to be honest and is
willing to take it over and marry her.
Times Square Playboy
(1936 b 62') En: 5, Ed: 4
Based on George M. Cohan's play The Home Towners, an old
friend arrives in New York to be best man and almost breaks up
his friend's wedding.
This short comedy shows the mayhem that can be caused when
an old friend tries to change his friend's relationships before
he even understands them.
Tip-Off, The (1931
b 71') En: 5, Ed: 4
A young man falls in love with a gangster's girl-friend but is
protected by a jealous boxer.
This comedy satirizes the bullying tactics of gangsters. Ironically
the man Tommy was afraid of offending turns out to be his defender
from a more malicious jealousy.
Toast of New York, The
(1937 b 109') En: 6, Ed: 7
This true story of Jim Fisk shows some of his financial manipulations
and why he promoted the career of actress Josie Mansfield.
Most of this story is accurate except for the comedy scenes.
Fisk made money on the Erie railroad with Drew and Jay Gould using
fraudulent stock against Vanderbilt, and he spent corporate funds
promoting Josie Mansfield. His bribes of public officials were
not depicted. His gold scheme caused the Black Friday panic on
September 24, 1869. Gould did sell his gold before prices fell.
Fisk was shot by an associate after a quarrel over Josie and business
in 1872. Thus actual greed and selfishness were portrayed.
Today We Live (1933
b 113') En: 6, Ed: 6
William Faulkner wrote the story and dialog for this Howard Hawks
film about heroic sacrifices and romance during war.
Faulkner's original story shows the affect of war on the men
fighting, but the movie version adds a woman and romance to the
mix, revealing the folly of war that leads to such heroic sacrifices
and loss.
Too Hot to Handle (1938 b 107') En: 6, Ed: 5
Two newsreel cameramen compete for scoops using a pretty pilot,
who is trying to find her brother in South America.
This adventurous comedy satirizes the competition among news
organizations and cameramen in capturing events throughout the
world. Blackmail, deception, and other tricks are used to attain
success.
Top Hat (1935
b 100') En: 8, Ed: 7
Dancing and Irving Berlin's songs highlight this romantic comedy
in which she thinks he is married to her friend when he really
is someone else.
This sophisticated entertainment appeals to romantic desires,
using a misunderstanding to provide comic irony and obstacles
for love to overcome.
Topaze (1933
b 78') En: 6, Ed: 7
Based on Marcel Pagnol's play, a moral schoolteacher becomes a
chemist for a dishonest businessman.
In comic fashion this story contrasts the philosophy of ethics
taught in school to corrupt practices in the business world in
a modern parable of a business using advertising to promote a
faulty product.
Tovarich (1937
b 99') En: 6, Ed: 6
Based on Robert Sherwood's translation of Jacques Deval's play,
Russian aristocrats in Paris become servants rather than spend
Russia's money.
This unusual comedy plays on the revolutionary result of exiled
aristocrats becoming poor servants because of ruthless Soviets.
Yet in their dignity they give all their money back for Russia's
people.
Tower of London (1939 b 92') En: 6, Ed: 6
Duke Gloucester uses manipulation, patience, and murder to become
King Richard III of England.
This drama tells the traditional history of Richard III's ruthless
ambition as portrayed by the Tudor dynasty that replaced the Plantagenets.
The quest for power proves to be a very dangerous game.
Toy Wife, The (1938
b 96') En: 5, Ed: 6
Based on a French (1869) and English (1870) play, a responsible
woman persuades her frivolous sister to marry the lawyer she loves
and ends up taking over the home.
This family tragedy results from a misguided marriage and is
worsened by the dangerous custom of dueling. George selected his
wife based on sexual attraction when her more mature sister probably
would have suited him much better as a wife and mother of his
children.
Trader Horn (1931
b 122') En: 6, Ed: 7
Based on a novel by Alfred Aloysius Horn and Ethelreda Lewis,
two whites find a missionary's daughter abducted by an African
tribe and bring her back.
This realistic adventure story shot on location in Africa is
a landmark in film-making. The savvy Trader Horn shares his knowledge
and wisdom with young Peru as audiences get a chance to see native
Africans playing themselves. The skill and courage of the Africans
is represented by their gun-bearer Rencharo.
Transgression (1931
b 70') En: 5, Ed: 4
Adapted from a play by Kate Jordan, while her husband is in India,
a woman meets a Spaniard in Paris and is tempted by romance.
This romantic melodrama points out the dangers of a long separation
and an affair with an unscrupulous womanizer. Elsie is courageous
enough to reveal the truth rather than be black-mailed and is
fortunate her husband is forgiving.
Transatlantic Merry-go-round
(1934 b 90') En: 5, Ed: 4
On a ship an entertainer is wooed by a jewel thief while her brother
is compelled to help her former lover, who gets murdered.
This crime story and murder mystery is spiced with music and
humor - what the idle rich and those who prey upon them do crossing
the Atlantic.
Traveling Saleslady
(1935 b 63') En: 5 Ed: 5
The daughter of a toothpaste owner sells cocktail toothpaste for
his competitor while falling for her rival salesman.
This comedy about selling has a strong feminist theme as the
father blindly discounts women and his daughter while she succeeds
better than the best men.
Treasure Island (1934 b 103') En: 6, Ed: 6
A youngster finds a treasure map and befriends a pirate prior
to violent battles for the treasure in this version of Robert
Louis Stevenson's novel.
This adventure story allows boys and young men to identify
with a courageous hero who survives treachery and finds treasure.
Jim is kind even to the wicked pirates and only kills in self-defense.
Silver's killing people so he can have more treasure shows how
absurd greed can be.
Trouble for Two (1936 b 75') En: 6, Ed: 5
Adapted from a story by Robert Louis Stevenson, a prince joins
a suicide club in this macabre romantic comedy.
This mixture of several genres is a light-hearted look at royal
politics and revolutionary assassination by a peculiar method,
providing escapist entertainment.
Trouble in Paradise
(1932 b 83') En: 7, Ed: 6
Based on the Laszlo Aladar play, a couple of thieves get together
to rob a wealthy lady, but he falls in love with her.
Director Lubitsch gives a certain style to this sophisticated
comedy in which all the sex is merely implied; but I suspect the
censors would not allow this movie to be shown later because the
thieves get away with their crimes.
Tugboat Annie (1933
b 86') En: 6, Ed: 5
Adapted from stories by Norman Reilly Raine, a woman tries to
operate a tugboat business with her alcoholic husband.
Terry's drinking is played for laughs, but it causes much grief.
Yet the struggles of Annie and Terry represent the difficulties
of many, who hope their children will have a better life.
Turn Back the Clock
(1933 b 79') En: 6, Ed: 7
When his wife won't let him invest their small savings, a man
wishes he could live his life again so that he could make money.
This fantasy helps a man see that wealth does not always produce
happiness even when he knows ahead much of what will happen. His
hindsight gives the story of twenty years many ironies as he fails
to correct some of the mistakes.
Twentieth Century
(1934 b 91') En: 7, Ed: 7
Based on Charles Millholland's play, a director makes an actress,
becomes jealous, loses her, and tries to get her back to save
his career.
Millholland's play Napoleon on Broadway was drawn from
his experience of working with David Belasco. This story satirizes
the dictatorial power of a strong director, who is nonetheless
dependent on the talent of a star.
Twenty Million
Sweethearts (1934 b 90') En: 6,
Ed: 5
A fast-talking agent gets a singer on the radio but almost ruins
his relationship with another singer in this musical comedy.
Rush manages to make opportunities by being fast and loose
with the truth. He almost ruins even more with his tricks but
pulls it out in the end.
20,000 Years in
Sing Sing (1933 b 83') En: 6,
Ed: 6
In this adaptation of Warden Lewis E. Lawes book, a criminal serving
5-30 is let out on his honor to visit his girlfriend and is executed
for a murder she committed.
This story shows a humane warden trusting convicts and almost
losing his position because of the political repercussions. A
criminal, moved by the warden's trust, sacrifices his life for
his girlfriend.
Two Alone (1934
b 76') En: 4, Ed: 5
Based on a play by Dan Totheroh, an orphan and a reform-school
runaway work for a cruel farmer, fall in love, and try to escape.
This drama explores the suffering caused by a mean farmer,
who tries to take advantage of two unfortunate young people; but
their love enables them to rise above these circumstances with
the help of her father.
Two Seconds (1932
b 67') En: 5, En: 5
In this adaptation of Elliott Lester's play a man being executed
remembers what led him to kill his best friend and his wife.
Recent research indicates that a life review occurs in near-death
experiences, and it may be universally experienced when people
die. John's perverted morality makes prostitution worse than the
killing of his two closest friends.
U
Under the Roofs of Paris
(French 1930 b 87') En: 6, Ed: 6
René Clair wrote and directed this musical and mostly mimed
story of two friends vying for the affection of a woman.
This film, made silent and then dubbed with the French dialog
and music, is done with grace and charm in spite its melodramatic
plot. Albert's calm detachment seems to insulate him from all
danger and sorrow, while Fred seems to get away with numerous
nefarious deeds.
Under Two Flags (1936 b 97') En: 6, Ed: 5
A cafe singer and an English lady fall in love with a French foreign
legion sergeant, who is placed in danger by a colonel, who loves
the singer.
This romantic adventure has two European women among hundreds
of men falling for the same man in the historical context of French
colonialism imposed by military force on resisting Arabs.
Unguarded Hour, The
(1936 b 87') En: 5, Ed: 5
Based on a play by Ladislas Fodor, a prominent couple is blackmailed
while the husband prosecutes a murder his wife knows the accused
did not commit.
Although the surprise ending at first seems contrived because
of the web of evidence against Alan, the actual result is more
true to the characters. This drama shows how innocent persons
can be made to look guilty by circumstantial evidence.
Unholy Three, The (1930 b 72') En: 4, Ed: 5
Lon Chaney used several voices in his only talking film about
carnival performers turned jewelry thieves.
The thieves deceptions are clever, but conflicts between them
threaten to undo them. Echo heroically sacrifices himself for
the innocent Hector, showing he really loves Rosie.
Union Depot (1932
b 67') En: 6, Ed: 5
Based on Gene Fowler's play, two hobos find counterfeit money
at the train station, and one helps a woman get a ticket to Salt
Lake City.
Various people are seen at the station; but the story focuses
on the crimes of stealing, counterfeiting, sexual assault, and
attempted murder.
Union Pacific (1939
b 135') En: 7, Ed: 6
Based on Ernest Haycox's novel, a trouble-shooter protects railroad
building from his ex-army buddy and competes with him for the
post-mistress.
Director Cecil DeMille created an adventure out of the historic
competition between two railroad companies. Much trouble is caused
because of unscrupulous manipulation by a greedy investor.
Upperworld (1934
b 73') En: 5, Ed: 5
A railroad magnate, whose socialite wife is too busy, becomes
involved with a burlesque dancer, resulting in blackmail and two
homicides.
This story shows a millionaire to be like his son who plays
with trains. His money enabled him to control the police, and
he is acquitted even though he bribed a witness. This "upperworld"
looks more like the underworld.
V
Valley of the Giants
(1938 c 80') En: 6, Ed: 6
Based on Peter B. Kyne's novel, a greedy businessman tries to
log the redwoods, but a local mill-owner fights to preserve the
forest.
Spectacular color shots of the redwoods and logging action
highlight this conflict between a ruthless manipulator and a mill-owner
who intends to log intelligently in order to preserve the forest.
Despite the power of money and official corruption, the homesteaders
join together to defeat the exploiters, though the killing by
McKinzie is egregious.
Vamonos con Pancho
Villa (Spanish 1936 b 89') En:
6, Ed: 7
Third (after El Compadre Mendoza)
in a trilogy by director Fernando de Fuentes, six men from San
Pablo fight for the Mexican revolution.
The chaotic violence and suffering of the Mexican revolution
are captured in this film about campañeros fighting for
their manhood while fearing cowardice more than anything.
Varsity Show (1937
b 81') En: 5, Ed: 4
College students get an alumnus producer to help them put on their
musical show over the objections of the professor in charge.
This musical suggests college students' capability to protest
in order to make innovative changes, although in this case they
are limited to popular music and dance.
Viva Villa! (1934
b 110') En: 7, Ed: 7
The famous bandit leads a revolution in Mexico, is exiled, and
wins a second revolution in this mostly fictionalized account.
Leaving out much history, such as Villa's alliance with Carranza
against Huerta, this film nonetheless captures much of his revolutionary
spirit and the good intentions of Madero.
Vivacious Lady (1938 b 90') En: 6, Ed: 5
A college professor marries a night-club singer and has trouble
telling his parents and fiancé about it.
This comedy plays upon the tension that exists until Peter
and Francey can consummate their marriage. The haughty attitude
of Mr. Morgan is exposed, because his wife has to feign heart
trouble in order to subdue his temper.
Vogues of 1938 (1937
c 109') En: 5, Ed: 4
A debutante refuses to marry for money and works as a model for
a fashion designer whose marriage is falling apart.
This color film displays many current fashions with a mildly
amusing story, singing, and dancing. The film appeals most to
people interested in fashions.
Voice of Bugle Ann, The
(1936 b 72') En: 5, Ed: 5
Adapted from MacKinlay Kantor's novel, a dog-lover kills his unfriendly
neighbor, whose daughter loves his son.
This sentimental drama seems to justify murder out of mistaken
revenge for a dog by portraying Jacob as mean and Spring as otherwise
kind. Yet Spring does serve time, which is shortened when the
victim's relative asks his pardon, yielding a humane result since
Spring does not need to be in prison.
Voltaire (1933
b 72') En: 6, Ed: 6
Based on the novel by George Gibbs and E. Laurence Dudley, Voltaire
uses a play to expose the king's corrupt minister.
Although these dramatic events are fictitious, the wit and
character of Voltaire are based on that versatile genius. With
impending revolution the corruption of the court is portrayed.
The story conveys Voltaire's zeal for humanitarian values and
tolerance of dissent.
W
Walking Dead, The (1936 b 66') En: 6, Ed: 6
Gangsters murder a judge and frame an ex-convict, who is executed
but brought back to life when his innocence is proved; then he
gets retribution.
This violent science-fiction drama shows the force behind death
as a power that brings a vengeful justice to murderers. Recent
resuscitation technology has now greatly increased the number
of near-death experiences (NDEs), revealing that most people have
spiritual experiences after leaving their bodies at death.
Walking on Air (1936
b 70') En: 5, Ed: 4
A wealthy man tries to keep his daughter from marrying one man;
so she hires another to insult her father but falls in love with
him.
This romantic screw-ball comedy allows the audience to watch
Kit and Pete fall in love in humorous situations while knowing
Fred only wants Kit's money to pay his ex-wife alimony. Evelyn's
intuition perceives Kit's feelings quickly while stubborn Horace
responds slowly to advice from her and Pete.
Walpurgis Night (Swedish
1935 b 79') En: 5, Ed: 5
A secretary falls in love with her boss; but his wife has an abortion
and kills the man blackmailing them, while the secretary's father
misunderstands.
This drama affirms family values as the woman having the abortion
ends up destroying herself while others are proud of their children.
Wanted! Jane Turner
(1936 b 66') En: 6, Ed: 5
Two flirting agents track down a killer, who is trying to get
the money from the mail robbery.
Combining sexual tension between the partners and clever detective
work, Tom captures the criminals and a bride, showing that crime
often does not pay, while those hired to catch them get regular
salaries.
Way Back Home (1931
b 82') En: 4, Ed: 5
This quaint story of country folks dealing with an adopted son
and an illegitimate young man is based on the radio character
Seth Parker.
This story shows that loving character can overcome the prejudices
regarding illegitimacy and genetic parentage. The kindness of
the Parkers and their simple ways help to bring their community
together so that everyone can have a fair chance in life.
Way for a Sailor (1930 b 85') En: 5, Ed: 5
Adapted from a novel by Albert Richard Wetjen, a sailor courts
a working-girl in London for two years before she marries him.
This story portrays sailors loving them and leaving them, returning
to the sea after spending their pay. Joan does not want that life;
but Jack persists and wins her with a lie. Yet after seeing him
in action at sea, she changes her mind, and they establish ground
rules for a relationship. The film depicts how some merchant marines
live.
Way Out West (1937
b 64') En: 6, Ed: 5
Laurel and Hardy take a deed to a gold mine out west but are tricked
into giving it to the wrong woman and try to get it back.
This comedy offers slapstick antics in a western setting, enabling
audiences to laugh at the skillful foolishness of two favorite
comedy stars. There is little romance; but Lola drives the cowboys
wild, and the scene of her tickling Stan on the bed has erotic
implications.
We Are Not Alone (1939 b 112') En: 7, Ed: 8
James Hilton adapted his own novel in this anti-war drama about
a doctor and his son's governess who are falsely convicted of
murdering his scolding wife.
This allegorical drama suggests that war is an accident amplified
by hatred that causes many innocent people to be killed. The tragic
ending based on an undiscovered mistake mirrors the tragedy of
war. The loving qualities of David and Leni are contrasted to
the harshness of Jessica.
Wee Willie Winkie
(1937 b 99') En: 6, Ed: 6
In this adaptation of a Rudyard Kipling story a little girl joins
a Scotch regiment in India and befriends a revolutionary Muslim
prisoner.
John Ford directed this pleasant adventure in which an innocent
child learns about army life and colonial war. Her positive spirit
triumphs in a rather unrealistic but uplifting ending.
Wells Fargo (1937
b 96') En: 6, Ed: 6
A pioneering agent of the express delivery company opens a new
route from St. Louis to San Francisco and delivers gold during
the Civil War.
This drama conveys how one pioneer helped Wells Fargo develop
its business and improve transportation in the West, and it also
indicates the conflict within a family during the Civil War; both
career and the war caused separations between a man and a woman
who loved each other.
We're in the Money
(1935 b 66') En: 5, Ed: 4
Two women serve subpoenas for an incompetent lawyer, but one of
them learns that the chauffeur she loves is the rich object of
the suit.
This farce implies that the notorious breach-of-promise suits
are about to be outlawed because women use them to blackmail men.
In role reversal clever women make men look foolish.
Werewolf of London
(1935 b 75') En: 5, Ed: 4
A botanist, attacked by a werewolf in Tibet, tries to use the
flower antidote he found but becomes a werewolf and murders in
London.
This early werewolf film makes plausible the subconscious fear
that humans could easily revert to a ferocious animal. Certainly
humans can be ferocious, and emotions are more active during full
moons. Yet the idea that humans would actually become part wolf
is rather far-fetched, though it would become a major source of
horror movies.
West of Shanghai (1937 b 66') En: 5, Ed: 5
Based on a play by Porter Emerson Browne, a local warlord in China
tries to solve conflicts he finds among a group of Americans at
a mission.
Reflecting current turmoil in China, this drama explores how
warlords use force and threats to manipulate people's lives according
to their own whims. Fang delights in his power even though it
is short-lived. Because of this arbitrary control, the others
find their lives going through peculiar changes.
West Point of the Air
(1935 b 89') En: 5, Ed: 4
An army sergeant trains his son to be an army pilot.
This film promotes army aviation and even has the Secretary
of War reinstate Big Mike after he interferes in army maneuvers
with a private plane. Two pilots die, but no one even thinks about
the people that might be bombed.
Westward Passage (1932 b 73') En: 5, Ed: 5
Adapted from a novel by Margaret Ayer Barnes, a novelist quarrels
with his wife and divorces her so she can marry a friend; but
he meets her again.
This film lost $250,000 and kept Olivier away from Hollywood
for seven years, probably because of Nick's unsympathetic and
stubborn character. Yet the story portrays the realistic if uncomfortable
situation of quarrelsome people, who struggle with the love-hate
dilemma.
Wet Parade, The (1932
b 117') En: 6, Ed: 7
Based on Upton Sinclair's novel, two families suffer from alcoholism
and Prohibition.
This story explores the problems that led to Prohibition and
those of Prohibition itself. Although Persimmon and Kip do not
drink, they are drawn into the struggle because of their family
tragedies. The attempted solution of Prohibition is seen as aggravating
a health concern into an epidemic of crime and corruption.
What! No Beer? (1933
b 65') En: 5, Ed: 4
Two men start a beer business after Prohibition is voted out;
but alcohol is still illegal, and they get into trouble with gangsters.
This farce celebrates the repeal of Prohibition, satirizing
the ending of the bootlegging industry that fostered gangsters.
What Price Hollywood?
(1932 b 88') En: 6, Ed: 6
An alcoholic director makes a waitress a movie star and almost
ruins her marriage before destroying himself in this often retold
(A Star Is Born) story.
This story exposes the stresses and neurotic behavior that
can result from stardom. Carey's fall is almost as fast as Mary's
rise, and whether Lonnie will ever get used to being "Mr.
Evans" is anybody's guess. Only the studio executive who
manipulates their lives seems to be stable.
When Ladies Meet (1933 b 85') En: 6, Ed: 7
In the first adaptation of the play by Rachel Crothers, a novelist
in love with her married publisher is forced by her old boyfriend
to confront his wife to show that her latest novel is not true
to life.
This story excellently portrays the women's viewpoints in the
usual romantic triangle of a married man with a mistress. Jimmy,
the honest and faithful lover of Mary, senses Rogers is false
and contrives a way to prove this and that Mary's novel is not
realistic.
While the Patient
Slept (1935 b 66') En: 5, Ed:
4
While a grandfather is unconscious, his son and the butler are
murdered; but a nurse helps a police detective solve this mystery
based on Mignon G. Eberhart's novel.
Humor lightens this mystery that keeps the audience in suspense
guessing which of many suspects committed the murders.
Whipsaw (1935
b 82') En: 6, Ed: 5
Two gangs of jewel thieves compete for pearls while an under-cover
cop falls in love with the woman he hopes will lead him to them.
The two principals make this a charming story that shows love
transforming a jewel thief and a tough detective into giving up
their professions to please each other.
Whistling in the Dark
(1933 b 80') En: 6, Ed: 5
Gangsters force a crime writer to plan a murder for them in this
adaptation of the play by Laurence Gross and Edward Childs Carpenter.
This mystery thriller makes comedy out of the couple's predicament.
Toby's morals are more flexible than Porter's, but they make a
good team, outsmarting the unsophisticated gangsters, who are
employed by the bootlegging Prohibition fostered.
White Angel, The (1936
b 92') En: 6, Ed: 8
In this biographical drama Florence Nightingale develops skilled
nursing during the Crimean War and saves hundreds of lives.
This generally accurate portrayal of the great nursing pioneer
shows how she overcame the stubborn opposition of military men
and with her dedication quickly transformed nursing into a respected
profession.
White Banners (1938
b 92') En: 6, Ed: 7
A woman arrives to serve the poor family of an inventor, who is
helped by his student in developing a refrigerator.
This drama emphasizes the spiritual values of faith, trust,
gentleness, service, self-sacrifice, and non-resistance rather
than fighting. It suggests that the white flags of truce can be
used proudly by the courageous and strong as white banners.
White Sister, The (1933 b 106') En: 5, Ed: 6
When a soldier is lost in the war, his fiancée becomes
a nun in this adaptation of the novel by F. Marion Crawford.
In this heart-rending story death and war interrupt a blossoming
romance. Angela finds consolation in religion and ironically cannot
break the commitment she took because she lost Giovanni.
White Zombie (1932
b 67') En: 6, Ed: 5
A young woman and man are drugged into soulless zombies while
visiting a sugar plantation in Haiti.
This nightmarish story sustains its eerie mood until the very
end when all the evil forces die, and the good ones come back
to life. With Beaumont the audience may learn that not every means
should be used for illicit and unrequited love.
Whole Town's Talking,
The (1935 b 92') En: 6, Ed: 5
Adapted from the novel by W. R. Burnett, a clerk is mistaken for
an escaped murderer, who uses his likeness to escape the police.
This gangster comedy plays upon the contrast between the shy
clerk and the aggressive murderer amid the hysteria of news reports
and police efforts to catch him.
Whoopee! (1930
c 93') En: 6, Ed: 5
This two-color musical satire of stereotype cowboys-and-Indians
stories was based on Ziegfeld's Broadway production and contains
two outstanding songs: "Making Whoopee" and "My
Baby Just Cares for Me."
This musical comedy delightfully shows the travesty of anti-Indian
prejudice and the absurdity of trying to solve problems with guns
while the audience is able to enjoy the jokes and elaborate musical
numbers with pretty chorus girls.
Wicked Woman, A (1934
b 73') En: 5, Ed: 6
Adapted from Anne Austin's novel, a mother kills her husband to
protect her son and starts a new life, raising her children to
take care of themselves.
This tough drama shows a mother struggling to raise her four
chlldren alone so that they will be able to survive without her,
sacrificing her feelings to instill firm discipline.
Wife, Husband and
Friend (1939 b 80') En: 6, Ed:
5
Adapted from James M. Cain's novel, a husband tries to stop his
wife from becoming a singer but becomes one himself.
A husband who resists his wife's career efforts and the attentions
of another finds himself imitating her behavior to his own consternation.
Wife vs. Secretary
(1936 b 88') En: 6, Ed: 6
A wealthy publisher loves his wife; but she gets jealous when
he spends odd hours with his excellent secretary, who is also
gorgeous.
Elegant movie stars and fine direction enable the audience
to identify with these characters in this dilemma that results
from women being either wives or professionals while men get the
best of both worlds.
Wild Boys of the Road
(1933 b 68') En: 6, Ed: 7
William Wellman directed this hard look at homeless teens trying
to survive while they look for work.
This extraordinary film reveals the dreadful poverty thousands
of youths experienced during the Depression. Eddie's speech to
the judge points out how many groups were helped, but that young
people needed it the most. How such kids could get in trouble
with the law is easy to see in such circumstances.
Wings of the Navy (1939 b 90') En: 5, Ed: 4
Dedicated to United States Naval Aviation Service, a younger brother
of a Navy flyer is trained as a pilot and falls in love with his
brother's fiancé.
This drama prepared the American people and promoted the Naval
aviation program that would be used in the war. The enthusiasm
of the young men for flying advanced aircraft seems to be oblivious
to their likely missions of killing many people.
Winner Take All (1932 b 66') En: 5, Ed: 4
A boxer likes a poor widow but goes nuts over a society lady who
snubs him while he's trying to keep his face from being re-arranged
fighting.
Kane learns that he was just a temporary diversion for Joan,
as boxing is for fans. His face and brain are damaged fighting,
and becoming a gentleman takes more than a few lessons. Yet he
realizes that he and Peggy have a real friendship and can care
for each other.
Wise Girl (1937
b 70') En: 5, Ed: 4
A wealthy woman goes to Greenwich Village to retrieve her nieces
from an artist and is enchanted by the life-style.
This comedy exposes a wealthy young woman to the Bohemian artistic
spirit, and she falls in love with a free-thinking artist, thus
challenging traditional social customs.
Witness Chair, The (1936 b 64') En: 5, Ed: 4
An executive suspected of embezzling is prosecuted for murder,
but the testimony of witnesses reveals he did neither.
This realistic courtroom melodrama unravels a murder mystery
by the testimony of various witnesses with an ambiguous result
since Paula must stand trial.
Wizard of Oz, The (1939
c 101') En: 8, Ed: 8
Based on L. Frank Baum's novel, a girl is carried away to a magical
land and helps a brainless scarecrow, heartless tin-man, and a
cowardly lion.
This musical makes a children's fantasy of the novel that satirized
the flaws of modern society as represented by brainless farmers,
heartless industrialists, cowardly politicians, and manipulative
scientists; but the result is an allegory that shows how the spiritual
qualities of wisdom, love, courage, and humility are developed
from within by experience and that heaven is not found in the
sky but at home.
Woman Against Woman
(1938 b 61') En: 4, Ed: 5
A lawyer divorces his selfish wife but finds her trying to manipulate
him and his new wife too.
This drama explores a manipulative personality, the misery
caused by such controlling, and the difficulties of healing a
divorced relationship for the sake of the child and a new relationship.
Maris shows that by her love she can keep Steve and overcome interference
by Cynthia too.
Woman Between, The (1931 b 73') En: 4, Ed: 5
Based on a play by Irving Kaye Davis, a son of a wealthy man discovers
he is in love with his stepmother.
This domestic triangle can result when an older man marries
a younger woman; but she has the choice to remain true to her
marriage or to follow her passion.
Woman in Red, The (1935 b 68') En: 5, Ed: 5
Adapted from Wallace Irwin's novel, a polo player marries a horse-woman,
who is snubbed by his aristocratic family.
This romantic drama explores the economic and social struggles
of a young couple facing the snobs of his family, who are unwilling
to help them. Shelby did not keep her word to tell him what she
did; but her motives were good, and their love for each other
proved strong.
Woman of Experience,
A (1931 b 74') En: 5, Ed: 4
A woman spies for Austria during the world war and falls in love
with a count, whom she encourages to volunteer for dangerous submarine
duty.
This spy thriller shows that a woman can be as heroic in time
of war as a man.
Woman Rebels, A (1936
b 88') En: 6, Ed: 7
Based on Notta Syrett's novel, a Victorian woman bears a child
secretly and writes about women's rights while sacrificing her
chance to marry.
This feminist drama portrays a woman challenging repressive
Victorian sexism while having to keep secrets and avoid marriage
because of the danger of public shame. Her rebellion represents
the early stages of a revolution still in progress.
Woman Wanted (1935
b 67') En: 5, Ed: 4
A woman convicted of murder escapes, and a lawyer helps her find
the men who were responsible for the murder.
In this melodrama Tony commits enough crimes to get himself
disbarred; but since he found the murderers, he is allowed even
to take the police boat.
Women, The (1939
b 132') En: 7, Ed: 7
Based on Clare Boothe Luce's play, women gossip about the affairs
and divorces of each other.
This all-women comedy depicts how female relationships are
changing with more divorces. Mary and Peggy realize they still
love their husbands; Flora has money and seeks love with changing
partners, while Crystal seeks money by using her beauty, and Sylvia
has more gossip than the columnist.
Wonder Bar (1934
b 84') En: 5, Ed: 4
Based on the Herczeg-Farkas-Katscher play, in a Paris nightclub
a good-looking dance couple attracts various romantic attentions
and intrigues.
This combination melodrama and nightclub act has some clever
chatter by Al Wonder and two dance numbers that could hardly fit
into a nightclub; but after all, this is a Hollywood fantasy about
the racy life in Paris.
Working Man, The (1933
b 78') En: 6, Ed: 6
Based on a novel by Edgar Franklin, a businessman helps the children
of his late rival compete with his own shoe business.
The experienced Reeves teaches Tommy and Jenny responsibility,
fulfilling part of what he missed by not marrying their mother.
The unethical scheme of Pettison to make money by ruining and
then saving the company is foiled.
World Changes, The (1933 b 91') En: 5, Ed: 6
A farm-boy becomes wealthy in Chicago stockyards but lives to
see his descendants lose it in the stock market crash.
This saga moving from the farm to cattle drives and meat-packing
to stock investing suggests each generation through greed moved
farther from the reality of real work and production until the
bubble burst in tragedy.
World Moves On, The (1934 b 104') En: 6, Ed: 7
Two families united in business survive the world war but are
wiped out by the crash of 1929 in this epic directed by John Ford.
This family saga explores how war and excessive capitalism
destroy and cause so much hardship. The pattern is clearly foreseen
that another war will come by which capitalists can make more
money.
Wuthering Heights
(1939 b 103') En: 7, Ed: 8
Based on the first half of Emily Bronté's novel, childhood
friends in an isolated place marry other partners but still love
each other.
Concentrating on the romance makes this dark drama more palatable
to movie audiences as instinctual attraction vies with social
acceptability.
X
Y
Yank at Oxford, A (1938 b 102') En: 6, Ed: 6
A conceited American athlete goes to Oxford University and brashly
makes friends with women and men.
A top athlete symbolizes American arrogance, which clashes
with British tradition. Lee excels in sports, woos a woman, and
tries to be a good fellow but never seems to open a book, indicating
what movie audiences like.
Yellow Jack (1938
b 83') En: 7, Ed: 8
In this true story based on a play by Sidney Howard and Paul de
Kruif, Dr. Walter Reed conducts experiments to learn the cause
of yellow fever.
This remarkable film uses the names of the actual doctors who
solved this long-standing scourge that had taken so many human
lives. The fictionalized personal lives of the volunteers add
charm and humility to a heroic and historic story.
Yes, My Darling Daughter
(1939 b 86') En: 6, Ed: 6
Based on a play by Mark Reed, a family reacts to the daughter
spending a weekend alone with her departing boy-friend.
This comedy challenges traditional moral notions with the liberal
ideas of independent women, causing some consternation and reluctance
for conservative men; but the wise Granny gets the last laugh
in preserving the freedom of the young.
You Can't Beat Love
(1937 b 62') En: 5, Ed: 4
A lawyer is dared into running for mayor by the mayor's daughter
and exposes the corruption of the police chief.
This satire of corrupt city politics suggests that democratic
elections may sometimes expose such shenanigans.
You Can't Cheat
an Honest Man (1939 b 79') En:
6, Ed: 5
A circus manager flees the sheriff and bickers with a ventriloquist,
who falls in love with the manager's daughter.
The title implies that crooks are vulnerable and fair game
to cheat, and Larson warns against smartening up a chump. Fans
of Fields' Vaudeville sketches and the cracks of Charlie McCarthy
may find escapist entertainment in this comedy that implies the
wealthy are too preoccupied to be worth loving.
You Can't Get
Away With Murder (1939 b 79')
En: 5, Ed: 5
Based on a play by Warden Lewis Lawes and Jonathan Finn, a young
man is intimidated by a criminal not to clear his sister's fiancé.
In this moral drama a youth is under the influence of a man
he has admired for years but who has led him down the dead-end
road of crime and violence. His sister and the wise Pop help to
awaken the conscience of the struggling youth even though it goes
against his self-interest.
You Can't Take It
With You (1938 b 126') En: 8,
Ed: 8
Adapted from the play by George S. Kaufman and Moss Hart, the
son of a banker wants to marry his secretary, who is from an eccentric
family.
This Oscar-winning picture challenges excessive capitalism
by contrasting it with happy Bohemians pursuing their own interests.
You Only Live Once
(1937 b 86') En: 6, Ed: 6
The public defender's secretary loves and marries a released criminal;
he is convicted of robbery and murder but escapes before his execution.
This tragedy shows the desperation of a convict who cannot
get a job after being fired for the slightest negligence. Director
Fritz Lang, a refugee from Nazi Germany, conveys a violent and
dark world in which small faults are escalated into major crimes
by the pressure of circumstances.
You Said a Mouthful
(1932 b 70') En: 5, Ed: 4
A broke inventor of a non-sinkable bathing suit is mistaken for
a champion swimmer by an attractive woman in this far-fetched
comedy.
This spoof of marathon swimming uses the fantasy of an invention
and the psychology of whether one believes it is true or not.
Young and Innocent
(1937 b 84') En: 6, Ed: 5
Adapted from Josephine Tey's novel, a man accused of murder escapes
and tries to prove his innocence with the help of the constable's
daughter.
Director Alfred Hitchcock presented his favorite theme of an
innocent man accused of crime trying to prove his innocence with
the help of a woman while on the run, enabling the audience to
root for them to survive suspenseful situations and achieve resolution
in the end.
Young Dr. Kildare (1938 b 82') En: 7, Ed: 7
An intern is tested in diagnostics by a dying expert and helps
a young woman, who tried to commit suicide.
This first medical drama about Kildare is poignant with the
outstanding acting of Lionel Barrymore, recently crippled by arthritis
in a wheelchair. Dr. Gillespie's frankness cuts to the core, and
the integrity and skill of young Kildare reflects his fine upbringing.
Young Mr. Lincoln (1939 b 100') En: 8, Ed: 8
This character portrait of Lincoln the lawyer shows him handling
a fictional murder trial.
This film directed by John Ford manages to capture much of
Lincoln's famous humor and his integrity as he demonstrates his
skill as a lawyer in a melodramatic murder trial.
You're Only Young
Once (1937 b 78') En: 5, Ed:
6
Judge Hardy risks his finances on a note to the newspaper owner
and takes his family on a vacation, enabling his daughter and
son to have romances.
These characters with this cast would continue in several more
movies that emphasize traditional family values and judicial responsibility.
In this story both Marian and Andy learn important lessons with
more experienced romantic partners that help their own maturing.
You're Telling Me!
(1934 b 66') En: 6, Ed: 5
An alcoholic inventor meets a princess, who impresses a snobbish
woman so that his daughter can marry her son.
The antics of W. C. Fields offer comic relief as the snobbery
of wealth and class is satirized using the artificial respect
for a princess as a device.
Z
Zouzou (1934
b 93') En: 5, Ed: 5
Based on a novel by G. Abatino, a Creole laundress becomes a star
singer and saves her foster brother from a false murder rap.
The French recognized the talents of Josephine Baker before
the Americans did, and this story shows how an entertainer may
succeed when racism does not prevent it. Yet jealousy toward Jean
makes Zouzou's success feel empty.