Abbreviations
b = black and white, c = color
En = Beck's entertainment value, Ed = Beck's educational value
A
Abraham Lincoln (1930 b 87') En: 5, Ed: 7
Director D. W. Griffith's first sound film written by poet Stephen
Vincent Benet portrays the Lincoln legend from the log cabin to
his assassination.
Despite poor sound quality this generally accurate biography
captures Lincoln's humor, psychological complexity, and dedication
to the political union of the United States.
Absolute Quiet (1936 b 70') En: 5, Ed: 5
A governor, a reporter, and actors are detained by two murderers
at his adversary's ranch after a plane crash.
Ex-Vaudevilleans turning to crime symbolizes the change in
entertainment to violent melodrama such as this one during the
Depression. Politicians and actors are also revealed with their
shortcomings.
Ace of Aces (1933
b 77') En: 5, Ed: 6
A sculptor, reluctant to join the war, becomes an ace flyer.
This strongly anti-war drama shows how a sensitive artist,
who sees war as mass hysteria, is goaded into joining by his fiancé's
patriotism. He is then transformed into the best of the war killers,
though he eventually realizes that he has lost an important part
of himself.
Adventures of Huckleberry
Finn, The (1939 b 91')_Ed: 7, Ed:
7
This version changes the ending of Mark Twain's classic novel
about an independent boy, who runs off with a slave.
The melodramatic ending reflects the real danger of lynchings
still existing in the South in the 1930s, and Twain's story expresses
the natural tendency of many boys to rebel.
Adventures of Marco
Polo, The (1938 b 104') En: 6,
Ed: 6
Marco Polo travels to China, falls in love with Kublai Khan's
daughter, and foils the devious plots of the minister of state.
Threads using historical men have been woven into an adventure
story, but the romance is film fantasy. Ahmad was governor of
Beijing for 22 years and used his power to execute people without
trial in order to gain wealth and have his way with women until
he was assassinated. Also there were conflicts between Kublai
Khan and Turkestan king Kaidu.
Adventures of Robin
Hood, The (1938 c 102') En: 8,
Ed: 7
Robin Hood and his men resist the oppressive power of Prince John,
win Marian over, and help King Richard regain his throne.
In this classic version of the Robin Hood legend he is given
a more prominent role in the return of King Richard than is historical.
Yet the spirit of the Saxon fighting Norman oppression for the
poor is presented in swashbuckling style.
Adventures of Tom
Sawyer, The (1938 c 91') En: 7,
Ed: 8
In this first color version of Mark Twain's classic novel Tom
is punished, runs away, is presumed dead, testifies in a murder
trial, and saves his girl-friend.
In the prolog Mark Twain says that he wrote this so that adults
will remember their childhood. This film helps audiences to realize
how punishment may be unjust and counter-productive, as boys often
need some space to explore their unfolding world. Tom is mischievous
but also heroic.
Affairs of Annabel, The
(1938 b 68') En: 5, Ed: 4
A zealous press agent gets an actress to go to prison and work
as a maid to publicize her latest movies.
This comedy satirizes Hollywood publicity stunts and melodramas
involving gangsters.
After Office Hours
(1935 b 72') En: 5, Ed: 4
A newspaperman uses a society woman's connections to get a story
and solve a murder, while trying to romance and marry her.
An unscrupulous journalist solves a murder and wins a rich
woman in marriage despite his duplicity; but he looks good compared
to a murderer.
After the Thin Man (1936 b 112') En: 6, Ed: 5
Nick Charles is asked to find a relative's husband; he and two
others are murdered, but Nick gathers the suspects and names the
murderer.
This entertaining detective story combines wit and an intriguing
plot. Nick is portrayed as a heavy drinker, but he definitely
loves his wife.
Age of Innocence, The
(1934 b 81') En: 5, Ed: 6
Old-fashioned values lead a lawyer to forgo his love for a divorced
countess and accept a socially acceptable marriage in this adaptation
of Edith Wharton's novel.
This story explores the perpetual generation gap involving
social values and the pressures high society and family put on
personal desires. Ellen sacrifices her happiness for others' concerns,
and Newland is not bold enough to break out of his expected pattern.
Ah, Wilderness! (1935 b 98') En: 7, Ed: 7
Based on Eugene O'Neill's only comedy, a family experiences July
4th as their graduating son, rejected by his girlfriend, goes
drinking with a swift woman.
This story deals pleasantly with the dangers of alcohol and
loose women, as we see a young intellectual coming of age in a
gentle era after the turn of the century.
Air Mail (1932
b 85') En: 6, Ed: 5
Air mail pilots risk their lives to carry Christmas mail in this
action classic directed by John Ford.
Brave pilots take stunning risks in the early years of air
mail. Wives and girlfriends suffer losses and worry too. The cocky
Duke emerges as more heroic than selfish in saving the courageous
Mike. Great sacrifices are made so that people can send letters
faster.
Alexander Hamilton
(1931 b 70') En: 5, Ed: 7
This biographical drama shows the efforts of the first Treasury
Secretary of the United States to put the nation's finances on
a sound basis.
This story is essentially true, although the compromise on
the assumption bill and the new capital occurred in 1790, while
the Reynolds blackmail scandal only began in December 1791. Nonetheless
this dramatization of the founding fathers, showing their human
weaknesses, is quite educational. Roberts seems to be a fictional
character, who is contrasted to the more discreet Jefferson and
Monroe. Nonetheless the point that Hamilton is willing to tarnish
his own personal reputation rather than sacrifice the best interests
of his country is valid and important.
Alexander Nevsky (Russian
1938 b 108') En: 6, Ed: 7
Based on history, a Russian war hero rallies his people to defeat
the invading Germans in 1242.
This historic film was clearly made as a warning to Nazi Germany,
and Stalin ordered it shown in every theater to rouse the Russian
people after the Nazi invasion of 1941. Alexander Nevsky had led
the victory over the Swedes in 1240; but he was expelled for meddling
in Novgorod affairs. Then he led this massacre of the Teutonic
warriors in 1242. Years later he cooperated with Mongol conquerors
in their taxing of the Russian people.
Alexander's Ragtime
Band (1938 b 105') En: 7, Ed:
6
Irving Berlin songs highlight this musical about a band leader
and a singer, who quarrel and have difficulty getting together.
This classic musical is packed with songs and portrays two
artistic temperaments that are mutually attracted but clash in
the unresolved sexual tension.
Algiers (1938
b 95') En: 6, Ed: 5
Adapted from Henri La Barthe's novel, a jewel thief cannot be
arrested until he leaves the Casbah to follow an alluring woman.
A somber mood pervades this romantic drama about a suave jewel
thief, who misses the freedom of Paris, as the seeming safety
of the lawless Casbah begins to feel like a prison.
Ali Baba Goes to Town
(1937 b 77') En: 6, Ed: 5
An autograph-seeker finds himself on a movie set and dreams he
is in Baghdad in this jazzy musical comedy.
Satirizing Roosevelt's New Deal more than Arabian stereotypes,
this musical comedy diverts as Al's dream becomes more and more
absurd until he awakes.
Alibi Ike (1935
b 72') En: 6, Ed: 5
In this adaptation of Ring Lardner's story a rookie pitcher makes
excuses for having a girl-friend, thwarts gamblers, and helps
win the pennant.
This story amuses primarily because of the interesting main
character and the comedy of Joe E. Brown. The audience gets to
root their odd hero to winning the pennant and his girl despite
the nefarious efforts of the gamblers.
Alice Adams (1935
b 99') En: 6, Ed: 7
Based on the novel by Booth Tarkington, a lower middle-class family
tries to help Alice win a gentleman.
This story of a fairly typical family in the early 1920s explores
the social challenges that are often influenced by economic struggles.
Hepburn is brilliant as the bright and nervous Alice, who almost
talks herself out of a fine relationship; but Arthur is patient
and smart enough to value her.
Alice In Wonderland
(1933 b 76') En: 5, Ed: 6
Based on the classics by Lewis Carroll, young Alice enters a world
of fantasy, nonsense, and wit.
Although the artistic masks limit the expressions of the fine
cast, the witty madness of Lewis Carroll shines through in this
much abbreviated rendition of his two major works Alice in Wonderland
and Through the Looking Glass. Many of the characters and flights
of fancy have become a part of the culture.
All Quiet on the Western
Front (1930 b 131') En: 8, Ed:
9
This adaptation of Erich Maria Remarque's 1928 German novel by
director Lewis Milestone, Maxwell Anderson, and others won the
best picture and director Oscars and may be the greatest anti-war
movie.
Thus we see the beautiful spirits of youth perverted by heartless
killing in a war people thought would be over in a few months
but turned into four years of hell on earth. This film was banned
in Germany until 1960, because its anti-war message is powerful.
Lew Ayres went on to become a conscientious objector in World
War II, serving in a medical unit. This movie can help people
learn vicariously what so many millions have suffered in painful
reality.
Allegheny Uprising
(1939 b 81') En: 6, Ed: 5
During the French and Indian War frontiersmen aim to stop weapons
being sold to Indians and have to challenge British forces.
Friction between the American and British allies foreshadows
the independence struggle. The Americans cling to principles of
law despite British corruption and intransigence; but they are
terrified of Indians.
Amazing Dr. Clitterhouse,
The (1938 b 87') En: 5, Ed: 5
Adapted from Barre Lyndon's play, a medical doctor studies crime
by participating in robberies.
Dr. Clitterhouse makes little progress about crime by finding
adrenaline in blood but does realize his own growing addiction
to the adventures when he lets himself commit murder as a defense
against blackmail.
American Madness (1932 b 76') En: 7, Ed: 8
Frank Capra directed this depression story of a run on the bank
following a robbery.
This film was made a few months before President Franklin Roosevelt
declared, "The only thing we have to fear is fear itself."
He was referring to faith in the banking system. The populist
liberal philosophy is vindicated in this story while exposing
the fragility of the capitalist system. Dickson's faith in people
is affirmed, and he learns he must give his wife more attention.
Andy Hardy Gets
Spring Fever (1939 b 86') En: 6,
Ed: 6
Andy falls in love with his drama teacher while his father invests
money with two crooks.
Andy learns that mature love is still beyond him but gains
emotional experience. Judge Hardy's spring fever is greed, and
he loses money to two swindlers. Rose creates dramatics as art
and in her life with the naive Andy. Once again common human problems
are explored with humor and gentle wisdom.
Angel (1937
b 91') En: 5, Ed: 5
Based on a play by Melchior Lengyel, the wife of a British diplomat
meets a man in Paris who is entranced by her, and he knows her
husband.
The Lubitsch touch gives this drama subtlety, but it lacks
dramatic power and humor. Ironically a celebrated diplomat is
almost fooled by his wife, reflecting the dangerous pre-war atmosphere
in Europe.
Angele (French 1934
b 131') En: 6, Ed: 7
Marcel Pagnol adapted Jean Giono's novel about a country girl
who is lured into prostitution and returns home in shame with
a baby.
This archetypal story of rural innocence corrupted by city
ways explores the shame of the farmer father that is eventually
washed clean by the loving commitment of the man who wants to
marry Angele.
Angels Wash Their
Faces, The (1939 b 86') En: 6,
Ed: 5
A club of boys gets a mayor elected during boys week in order
to free their new member, who has been framed for arson by corrupt
men.
The young spirit of this drama has juveniles reforming corruption
by democratic and legal methods with occasional strong-arm tactics.
Angels With Dirty
Faces (1938 b 97') En: 7, Ed: 8
A priest and a gangster were childhood friends, and both want
to help a local gang of kids in their own way.
This classic film warns against the tendency of wild youth
to admire gangsters who make money by violence; but the priest
and consequences make clear that such crimes often lead to prison
or a violent death.
Animal Crackers (1930 b 97') En: 7, Ed: 6
Based on the musical play by George F. Kaufman and Morrie Ryskind,
the four Marx brothers have fun and games spoofing high society
at the Long Island estate of Mrs. Rittenhouse.
These human animals are full of cracks.
Animal Kingdom (1932 b 86') En: 6, Ed: 7
This story of a publisher torn between two women was adapted from
the play by Philip Barry.Tom is torn between the artistic values
of Daisy and her friends and the physical attractiveness and materialistic
values of Cecelia and her friends. When he realizes Cecelia is
like a high-priced prostitute to him, he leaves to go to his soul-mate
Daisy.
Ann Vickers (1933
b 76') En: 5, Ed: 7
Based on the novel by Sinclair Lewis, a social worker reforms
prisons and has a child out of wedlock by a judge convicted of
bribery.
This story explores the feminist issues of balancing a career
and family, how women can reform society so that it is more humane,
and attitudes of men toward a strong woman. Ann lives according
to her heart, applying her ideals in practical ways without being
concerned about conventional morality or being consistent. Her
facing difficult circumstances with courage and compassion may
be an inspiration to the broad-minded.
Anna Christie (1930
b 89') En: 6, Ed: 7
In the same year Greta Garbo played the title role in both a German
and an English version of Eugene O'Neill's play about the daughter
of an immigrant sailor. Both films follow the play rather closely
except the German version leaves out the comment by the Irish
Catholic Matt Burke that he is damned, because Anna was raised
Lutheran.
O'Neill's story has exposed a more realistic version of the
Cinderella tale when the exploited poor relation instead of finding
a prince meets someone similar to the father who abandoned her.
"What's the use?" repeats Anna. Perhaps in a way the
old devil sea is to blame for separating sailors from women so
much that they have little opportunity to care for women and so
turn to prostitutes. The age-old double standard blames women
for the same promiscuity that is believed to make "real men."
The sad story of Anna Christie gives the woman's view so that
perhaps someday women will not have to be victimized by that old
devil pattern.
Anna Karenina (1935
b 93') En: 7, Ed: 7
Tolstoy's great novel about an aristocratic woman who leaves her
husband and son for a cavalry officer has an outstanding caste
in this version.
Anna's tragic conflict is that society's morals, represented
by Karenin, will not allow her to love her son and Vronsky. She
gave up everything for him; but he would not even give up war.
Annabel Takes a Tour
(1938 b 67') En: 5, Ed: 4
A movie star gets her flamboyant publicity man back for a tour
and seeks romance with a viscount.
This farce satirizes Hollywood publicity to generate fans for
glamorous movie stars that plays havoc with the star's personal
life. Ironically the romance novelist has a family and dislikes
women.
Anne of Green Gables
(1934 b 78') En: 6, Ed: 6
Based on the popular novel by L. M. Montgomery, an imaginative
teen-age girl is adopted by and wins the hearts of Marilla and
Matthew Cuthbert.
This heart-warming story of a precocious teen-ager who "reads
too much" shows her learning how to handle her temper and
not abuse her vivid imagination with bragging lies. Though financially
poor, the lives of Marilla and Matthew are greatly enriched by
the experience.
Annie Oakley (1935
b 90') En: 6, Ed: 6
The female sharp-shooter competes with a man and travels with
Buffalo Bill's Wild West show.
In real life Annie Oakley did surpass her rival and husband
Frank Butler, who became her manager and let her shoot cigarettes
from his lips. This is a fine feminist story of a woman with her
own career and marriage too.
Another Dawn (1937
b 73') En: 5, Ed: 4
A widow doubts she will love again and marries a colonel but falls
in love with a captain in a British imperial outpost.
In this romantic triangle among honorable friends John is apparently
oblivious to the love of Grace; but he sacrifices himself as part
of the cost of British imperialism when he realizes that Julia
loves Roark. Just as the British were trying to rule in another
country, if John had not married Julia, who did not love him,
he might have found Grace, who did love him.
Another Face (1935
b 69') En: 5, Ed: 4
An infamous gangster changes his face and tries to become an actor
in the movies; but he is identified.
This amusing story satirizes Hollywood's gangster movies by
showing the disparity between movie images and a real gangster.
A studio executive and publicity agent even risk people's lives
in order to make a successful gangster film, as Joe puts his work
before his marriage.
Another Thin Man (1939 b 105') En: 6, Ed: 5
Based on a Dashiell Hammett story, Nick Charles solves two murders
while his wife avoids jealousy and helps raise their child.
The wit and sophistication of Nora and Nick Charles add charm
to this complicated mystery.
Anthony Adverse (1936 b 137') En: 6, Ed: 6
Based on the novel by Hervey Allen, an orphan raised in a convent
and by a merchant is separated from his wife doing business for
his foster father.
This historical adventure story shows how an orphan's character
is forged by adversity. Seeking fortune on behalf of his foster
father, Anthony is corrupted in the slave trade and loses his
wife; but he gains his son when she chooses to stay with Napoleon.
The selfish schemes of Don Luis and Faith fail.
Arizonian, The (1935
b 76') En: 5, Ed: 6
Dudley Nichols wrote the screenplay based on his novel The
Peacemaker about a man who brings law and order to a town
with an outlaw for a sheriff.
This story shows how difficult it can be to disarm lawless
men when some of them are in authority. Many are killed before
law is restored.
Arrowsmith (1931
b 99') En: 6, Ed: 7
The prize-winning novel of Sinclair Lewis was adapted by Sidney
Howard in this story of a dedicated medical researcher.
This story will inspire those inclined toward scientific thinking
and idealists committed to humanitarian endeavors. Arrowsmith's
enthusiasm and diligence are inspiring although his wife's sacrifices
receive little consolation. The conflict between long-term thinking
and short-term benefits is explored amid complexities of human
relationships.
Arsene Lupin (1932
b 84') En: 6, Ed: 5
Based on a play by LeBlanc and de Croisset, a notorious jewel
thief is finally caught by a determined police detective.
Detective fans will enjoy the many twists in this elegantly
acted drama. Not only does Charmerace get away with stealing,
he doesn't even pay his bills. As clever as he is, he cannot manage
to continually outwit the long arms of the law. Sonia's fear of
prison for either of them and her love persuades Charmerace to
actually buy a ring. Perhaps both can reform, as Guerchard enjoys
his retirement.
As the Earth Turns (1934 b 73') En: 5, Ed: 5
Based on the novel by Gladys Hasty Carroll, Maine farmers struggle
to survive or are lured to the city.
This is a realistic portrait of rural life during the depression
in New England. Many from farming families are lured away from
that hard life by the excitement and opportunities in the cities.
The altruistic Jen is careful that Stan really wants to be a farmer
before she commits herself to him in order to avoid the unhappiness
experienced by George and Mil.
As You Desire Me (1932 b 71') En: 6, Ed: 7
This search for personal identity after the trauma of the world
war is based on the play by Luigi Pirandello.
The many amnesia cases after the world war reflect the trauma
of that catastrophe on fragile psyches. Zara does not want to
remember any past, probably because she is not proud of her life.
Bruno is desperately seeking his lost wife not only for the estate
but for personal fulfillment. Zara is overcome by this love and
seeks to be what he desires. As in several of his plays, Pirandello
plays with the ambiguity of personal identity, which is often
affirmed by belief and threatened by doubt.
At the Circus (1939
b 87') En: 7, Ed: 6
The Marx brothers try to save the circus for its young owner by
getting a performance at a high-society party.
Groucho wonders if he can accomplish his purpose without offending
the Hayes Commission, and the Marx brothers manage to provide
their unique blend of wit, puns, music, satire, and slapstick.
Atalante, L' (French 1934 b 82') En: 6, Ed: 6
In Jean Vigo's only feature-length film a couple goes from their
wedding onto a barge with only two others; their love is threatened
by his jealousy.
After its director Vigo died young, a herd of critics has raved
about this realistic film and its "poetic images," causing
many people to think of ways to like it more than they probably
would otherwise. The drama explores with intimate sensitivity
the fragility of a new marriage and the dilemma posed when strong
love causes equally strong jealousy.
Awful Truth, The (1937
b 91') En: 8, Ed: 7
Adapted from Arthur Richman's play with improvisation and directed
by AA-winning Leo McCarey, a couple, suspicious of each other,
divorce but sabotage each other's new romances until they re-unite.
This witty comedy shows two clever people very much in love,
playing various games, revealing that no one else can come between
them for long.
B
Babbitt (1934
b 74') En: 6, Ed: 6
The novel by Sinclair Lewis satirizing a middle-aged businessman
is adapted as comedy and melodrama.
With the exception of the airport land scandal and changing
the Good Citizens League to the silly Zebras, the novel's characters
come alive on the screen. The satire of the materialistic businessman
is still effective.
Babes in Arms (1939
b 97') En: 6, Ed: 6
Adapted from a play by Richard Rodgers and Lorenz Hart, children
of Vaudevillians put on a show to avoid being put in a workhouse.
As fascism is terrorizing Europe, young Americans have the
freedom to organize a show and even satirize their government
leaders. Mickey wonders if America can loan money for war, why
can't they get some for entertainment? The marching and bonfire
scene offers an eery parallel to fascists but a significant difference
in purpose as they are struggling for artistic freedom not against
it. Some cringe at minstrel shows, but making fun of black entertainers
is not necessarily persecuting them; they may even reflect envy
for their talent.
Babes in Toyland (1934 b 78') En: 6, Ed: 5
Based on Victor Herbert's operetta and also known as March
of the Wooden Soldiers, Ollie and Stannie help save Little
Bo Peep from the clutches of the landlord Barnaby.
Slapstick humor punctuates this children's fantasy. The selfish
landlord tries to manipulate the poor but cannot win their affection.
The ugly Bogeymen are defeated by an impersonalized army of automatons,
society's foolish answer to subconscious fears.
Baby Face (1933
b 70') En: 6 Ed: 6
A poor woman goes to the city and ruthlessly uses her charms with
men to gain wealth at their expense.
This powerful story of a ruthless woman, who used her sexual
power to manipulate men and gain wealth stimulated censors to
become more active. Yet the dramatic consequences of what happens
to the men in her life reveal to an understanding audience how
terrible are her actions even without the phony ending.
Baby Face Harrington
(1935 b 62') En: 5, Ed: 4
Based on a play by Edgar Selwyn and William LeBaron, a clerk is
fired, loses money, robs to get it back, is robbed, arrested,
and broken out of jail.
This comedy satirizes gangster movies as a humble clerk is
taken first for a dangerous criminal and then a great hero.
Baby, Take a Bow (1935 b 74') En: 5, Ed: 4
Based on James P. Judge's play, two ex-convicts are suspected
of a robbery, but little Shirley comes up with the missing necklace.
Shirley Temple's first starring role won the hearts of many
with her bright personality and talent. The story explores the
difficulty those with prison records can have getting employment
and how easily they may be suspected of other crimes. Eddie and
Larry stay straight, and the overly zealous Welch is foiled.
Bachelor Apartment
(1931 b 77') En: 5, Ed: 4
A wealthy bachelor juggles women while hiring the one he wants
as a secretary.
This bachelor bedroom comedy established a pattern that would
often be imitated, showing an eligible man making a transition
from playing the field to marriage.
Bachelor Bait (1934
b 75') En: 5, Ed: 4
A clerk begins a successful matrimonial bureau and tries to marry
his secretary to a wealthy man; but she loves her boss.
The good intentions and sensitivity of William and Cynthia
are contrasted to the gold-digging of Allie and the greedy corruption
of Barney.
Bachelor Father, The
(1931 b 91') En: 5, Ed: 5
Based on a play by Edward Childs Carpenter, an aging bachelor
meets his three grown children by different women and likes them.
In this sentimental story an English lord finds comfort rather
late from his children, but the real affection of one shows that
love is not based on blood.
Bachelor Mother (1939 b 81') En: 8, Ed: 8
Garson Kanin directed this romantic comedy of a woman who finds
a baby and is taken for a mother in denial by her employer.
Numerous realistic touches increase the hilarity and meaning
of this comedy that plays upon assumptions people make about a
subject too shameful to discuss openly.
Back In Circulation
(1937 b 81') En: 6, Ed: 5
A reporter and her editor influence and cover a sensational murder
trial.
This drama reflects the increasing influence of journalism
over the public perception of crime and justice. The editor is
ruthless, but Timothea's humanity helps her to realize that Arline
is innocent.
Bad Lands (1939
b 71') En: 5, Ed: 4
A sheriff and his posse track an Apache killer into an ambush,
where they are killed one by one.
Men evaluate their lives when faced with likely death. Ironically
they never get to use the silver they found, because they are
killed in their effort to capture one Apache killer. Other unknown
Apaches are also killed in the cycle of retaliatory violence that
shortens many lives. The sheriff as sole survivor symbolizes that
only the law remains.
Bad Little Angel (1939 b 73') En: 5, Ed: 6
Based on a book by Margaret Turnbull, an orphan is guided by the
Bible and tries to help people in trouble.
This movie gem sparkles with Light as a little girl faces adversity
with extraordinary faith, moving others to help and improve themselves.
Bad Man of Brimstone,
The (1937 b 89') En: 5, Ed: 4
A western outlaw finds his lost son on the other side of the law
and helps him without telling him their relationship.
This combination of western violence and parental sentimentality
offers typical Beery entertainment. Progress is symbolized by
the law-abiding efforts of the younger generation represented
by Jeffrey and Loretta.
Baker's Wife, The (French
1938 b 127') En: 7, Ed: 7
Adapted from Jean Giono's novel, a new baker stops making bread
after his pretty wife runs off with a young man; but the town
gets her to come back.
In this charming comedy directed by Marcel Pagnol the quality
of the baker's bread is compared to the beauty of his wife. Water
is plentiful, but people must pray for bread and don't want to
do without it. Thus the mayor, priest, and teacher make sure the
wife returns to the one who bakes it.
Balalaika (1939
b 103') En: 6, Ed: 6
Based on a musical play by Eric Maschwitz, a Russian prince falls
in love with a revolutionary singer just before war and revolution.
This musical reflects the class divide in Russia that led to
revolution and the fleeing of aristocrats. Social power shifts
radically, but the loving relationships endure.
Band Plays On, The (1934 b 87') En: 5, Ed: 4
Four boys become football stars in college but are tempted to
quit in order to make money in pro football.
This drama reflects increasing interest in football and the
dilemma of star athletes having to work menial jobs to get through
college. The four delinquents learn to succeed by working together.
Barbarian, The (1933
b 84') En: 5, Ed: 5
An engaged English woman is pursued by an Egyptian guide in Cairo
and is lured into romantic adventures.
Although deceitful and manipulating, the romantic Jamil's persistence
finally wins over Jamil when he is willing to die rather than
leave her. The traditional prospects of Gerald are eventually
outweighed by the devoted attention she receives from Jamil, fulfilling
romantic fantasies.
Barbary Coast (1935
b 90') En: 6, Ed: 6
A woman arrives in San Francisco during the gold rush, works for
a crooked casino boss, and falls in love with a poetic prospector.
This story explores the dangers of lawless society when violence
and greed dominate. Citizen action, crude at first, manages to
bring about a rough justice. A woman traveled far to marry money
but realizes a poetic man is better.
Barretts of Wimpole
Street, The (1934 b 110') En: 6,
Ed: 7
Based on Rudolph Besier's play, a tyrannical father tries to prevent
his daughters from marrying; but the poets Elizabeth Barrett and
Robert Browning manage to get together.
This true story shows how a pious father can make his children
miserable with his own perverted sense of duty from frustrated
love. The buoyant spirit of the poetic Robert raises the spirits
of Elizabeth sufficiently to liberate her from her father's control.
Beast of the City, The
(1932 b 86') En:6 , Ed: 6
A new police chief goes after a gangster boss but is thwarted
by his own brother, lawyers, and a violent shoot-out.
This shift of viewpoint from the gangsters to the police improves
the moral perspective. Even though Jim is portrayed as a loving
family man, his violent police methods still leave much to be
desired in the crime wave stimulated by Prohibition.
Beau Geste (1939
b 113') En: 6, Ed: 5
Based on the novel by P. C. Wren and the 1926 film, after a mysterious
jewel theft three brothers join the foreign legion under a sadistic
sergeant.
This improbable story glamorizes a sacrificial gesture that
results in soldiers, buoyed by brotherly comraderie, suffering
under a sadistic officer before being killed by Arabs in the desert.
Becky Sharp (1935
c 85') En: 6, Ed: 6
In the first full-color feature a sharp-tongued woman leaves school,
marries a soldier, lives extravagantly, and suffers from debts
in this adaptation of Landon Mitchell's play based on Thackeray's
novel.
In this satirical look at British society in the Wellington
era, Becky resents the social discrimination against her but is
clever and ambitious enough to rise into society anyway, though
this produces little happiness for her.
Bed of Roses (1933
b 67') En: 6, Ed: 6
Two women leave prison and try to marry rich men.
We see Lorry's transformation from a robbing, lying gold-digger
to a hard-working, faithful wife after she finds a moderately
successful man her own age with good qualities who loves her,
while her cynical friend Minnie marries a fool for his money and
becomes a mistress on the side.
Belle of the Nineties
(1934 b 73') En: 6, Ed: 5
Mae West wrote this witty story about an entertainer who loves
men and jewelry.
Mae West's witty remarks use innuendo to get around the censors
and entertain her audience, implying that sexuality is not a sin
if one is honest and hurts no one.
Beloved Brat, The (1938 b 63') En: 5, Ed: 6
A girl, neglected by her rich parents, acts defiantly and causes
much trouble.
This over-looked little gem shows what can happen when wealthy
parents are too busy to care for their children. A wise and patient
teacher is able to awaken the positive qualities in the smart
but lonely girl.
Beloved Enemy (1936
b 86') En: 6, Ed: 7
An Irish leader falls in love with the daughter of a British diplomat
during a rebellion, and a peace treaty is the result of their
love.
This powerful story set in the historic English-Irish conflict
explores the conflict between political violence and romantic
love, expressing the hope that love may solve problems with peace
and understanding.
Big Broadcast of 1938,
The (1938 b 91') En: 6, Ed: 5
A bumbling owner of an ocean-liner manages to win a race while
entertainers perform for radio broadcasts.
This variety show features the first starring role for Bob
Hope with his signature song and the comedic talents of W. C.
Fields, offering audiences mass-produced low-cost entertainment
in an era of huge ocean-liners.
Big City (1937
b 80') En: 5, Ed: 4
Cab company thugs frame an immigrant woman for a bombing, but
her husband, friends, and the mayor help save her from deportation.
This story illustrates how immigrants have less rights than
citizens and how some hoodlums try to use violence to give themselves
a job; but the friendship of the independent cab drivers enables
them to overcome their opponents.
Big City Blues (1932
b 63') En: 5, Ed: 4
Based on a play by Ward Morehouse, a young man goes to New York
city, gains experience, loses his money, is arrested for murder,
and returns to Indiana.
The naive and innocent Bud gets quick lessons in big-city living
from his cousin and other fast operators; yet the excitement of
the urban culture, as dangerous as it is, still lures him.
Big Fella (1937
b 71') En: 5, Ed: 4
Based on a novel by Claude McKay, a big African finds a run-away
English boy and becomes his friend.
Joe's voice and buoyant personality charm the boy seeking adventure
away from his over-bearing parents. Joe gives up money and risks
legal consequences because he has been "kidnapped" by
Gerald, showing great love. Yet he chooses to stay with Manda,
who also loves him.
Big House, The (1930
b 87') En: 6, Ed: 6
This slice of prison life is quite realistic, though real prison
inmates rarely experience such a crescendo of violence as found
in the movies.
This archetypal prison story shows the hellish prison life
and how its social relationships are distorted as the inmates
have their own code of ethics. The inexperienced Kent badly violates
this and comes to a bad end. Butch is a habitual liar and cheat
and so has little hope. But Morgan shows how one can overcome
the odds and rise out of a dismal situation. Although he escaped
on his own, he refuses to participate in a violent and foolish
attempt. He is not a stool pigeon, but he saves the lives of the
guards. If there is any rehabilitation, it is by the individual's
efforts in spite of this dismal prison system.
Big Shakedown, The (1934 b 61') En: 5, Ed: 5
Gangsters, put out of business by repeal of Prohibition, find
a chemist to counterfeit drugstore products.
This story shows Prohibition's criminal element adapting to
changing times. Their unethical greed corrupts Jimmy's chemical
skill. Experiencing the harmful consequences causes Jimmy to commit
murder and go to the police.
Big Shot, The (1937
b 60') En: 5, Ed: 4
A man inherits wealth and crusades against a racketeering empire
without knowing he is the big shot at its top.
This comedy seems to reflect the sentiment for cleaning up
the corruption of racketeers with the help of a free press, citizen
courage, and law enforcement.
Big Stampede, The (1932 b 53') En: 5, Ed: 4
A young deputy sheriff stops a cattle baron from rustling the
herd of new-comers in the wild New Mexico territory.
This western drama that shows how efforts for law and order
can stop rustling by greedy cattle barons implies that new efforts
at law enforcement in the Prohibition era could decrease the problem
of organized crime. Faced with an overwhelming problem, John cleverly
gets the more amenable rustlers to help his side eliminate the
worst criminals.
Big Trail, The (1930
b 120') En: 6, Ed: 5
This pioneer epic shows the hardships and tribulations of settlers
heading west on the Oregon trail.
This big western portrays the challenges of pioneering and
gives the audience a hero whose courage, capability, and determination
can be admired even though his sense of "frontier justice"
leads him on the trail of personal revenge in which he takes the
law into his own hands and kills a man.
Bill of Divorcement,
A (1932 b 68') En: 6, Ed: 7
This drama of a family dealing with mental illness is based on
the play by Clemence Dane.
This story depicts the effect of the war on a man with a fragile
psyche. Unfortunately this causes his daughter to fear mental
illness so much she gives up the man she wants to marry. Yet there
is nobility in the sacrifice she makes to help her father so that
her mother can be happy. Sydney is more like her father and can
understand him better than her mother.
Billy the Kid (1930
b 95' ( En: 5, Ed: 4
Based on the saga by Walter Noble Burns, the infamous killer fights
for ranchers against the local tyrant's men.
This early version of the violent legend includes some comic
characters and bears only occasional resemblance to the controversial
life of the young man who killed men in revenge for the murder
of his employers Tunston and later McSween.
Biography of
a Bachelor Girl (1935 b 83') En:
5, Ed: 5
Based on S. N. Behrman's play, a magazine editor pays a flamboyant
painter for her memoirs, while a politician she knew tries to
stop them.
Political and philosophical differences underlie these conflicts;
but Kurt chooses love rather than expose the hypocrisy of the
politician he loathes.
Bishop Misbehaves, The
(1935 b 86') En: 6, Ed: 5
Adapted from Frederick Jackson's play, a bishop plays detective
to resolve a robbery committed to right a past wrong.
This droll mystery plays with the threat one gun can have in
disarmed England; but the Bishop manages to resolve the case without
violence or help from the police. Nonetheless he decides to renounce
his detective hobby.
Bishop Murder Case, The
(1930 b 87') En: 5, Ed: 4
Based on S. S. Van Dine's novel, a clever detective solves a complicated
series of murders involving chess and nursery stories.
This sophisticated mystery keeps the audience guessing until
the motive is revealed at the end. The slow pace allows the audience
time to think and absorb the somber mood.
Bitter Tea of General
Yen, The (1933 b 88;) En: 6, Ed:
7
Frank Capra directed this story of an American missionary's fiancée
detained by a Chinese warlord.
This film reflects the chaos in China during this era. Yen
loves the subtlety of Chinese culture, yet represents its worst
element as a ruthless warlord. Megan believes in Christian love;
her trust in Mah-Li is betrayed, causing the general's downfall,
not necessarily a bad result.
Black Fury (1935
b 94') En: 6, Ed: 6
Based on a true story and Harry R. Irving's play Bohunk,
a coal miner is manipulated into becoming a strike leader.
This drama reflects increased union activity in the midst of
the Depression. In 1934 dissidents from the AF of L formed the
CIO and elected United Mine Worker president John L. Lewis chairman.
However, this film warns that workers can be led astray by greedy
manipulators.
Black Legion (1936
b 83') En: 6, Ed: 7
A factory worker joins a KKK group that gets rid of a foreigner
who got the job he wanted; but he is unable to leave the group
and kills his friend.
The racist Ku Klux Klan was active at this time, and this story
dramatically exposes the violence and manipulation of hate groups
that prey upon dissatisfied workers, especially when jobs are
hard to get.
Blackmail (1939
b 81') En: 5, Ed: 4
A successful escaped convict, who is innocent, is blackmailed
by the thief and is sent back to the chain gang.
This drama exposes the cruelty of chain gangs and provides
a warning against succumbing to blackmail rather than facing the
truth even though it may be unpleasant to do so.
Blackwell's Island
(1939 b 71') En: 6, Ed: 5
Suggested by a true story, a reporter goes after a racketeer,
who takes over a prison with his graft system.
This satire of prison corruption by gangsters suggests that
courageous reporting can help to clean up graft and punish gangsters.
Blessed Event (1932
b 80') En: 6, Ed: 7
This fast-paced comedy about a Winchell-like gossip columnist
is based on the play by Manuel Seff and Forrest Wilson.
The unscrupulous behavior of Alvin in using Dorothy's story,
which he did not have until she told him, led her to commit murder.
The audience tends to forgive this, because the victim happens
to be a gangster, who tried to have Alvin killed. Nonetheless
the ruthless ambition and reckless gossiping of the columnist
is seen to be destructive by Gladys and others.
Blonde Bombshell (1933 b 96') En: 7, Ed: 6
Harlow is perfectly cast in this adaptation of a play by Caroline
Francke and Mack Crane about a Hollywood star whose life is sabotaged
by a zealous publicity man.
This comedy explores the frantic life-style of a busy film
star promoted by wild publicity and surrounded by leaching relatives,
numerous servants, pets, and men wanting to romance her. The publicity
agent uses various tricks to keep his star's name in the headlines
even though it makes a shambles of her personal life.
Blonde Crazy (1931
b 79') En: 5, Ed: 5
This story of grifters plays out people acquiring money by deceptive
methods.
After the stock market crash, people used to playing with money
suddenly found it was very tight and hard to find. This movie
fantasizes ways that people can get money quickly by trickery,
but often the con artists get fooled by others more clever. In
this story the respectable Wall Street banker turns out to be
the lowest of them in betrayal. The tough guy Bert ends up in
jail, while the rat Joe is free; but Bert has won the spiritual
victory because Ann now loves him instead of Joe.
Blonde Venus (1932
b 94') En: 6, Ed: 6
A cabaret singer goes back to work to help her husband get a life-saving
operation, but her relationship with a millionaire breaks up her
marriage.
Helen sells herself to save her husband and almost loses him
in the intimacy of that process, but their love for their son
re-unites them.
Blondie (1938
b 65') En: 6, Ed: 5
Based on the comic strip by Chic Young, Dagwood needs a raise
to pay debts and is suspected of having a love nest.
This is the first in a series of movies that ran to a record
28 with the same cast. The bumbling Dagwood and the tolerant Blondie
represent the foibles of many middle-class families. In this story
Dagwood is framed by circumstances that belie his innocence. Their
wholesome humor in practical predicaments provides wide audiences
with safe amusement.
Blondie Brings Up Baby
(1939 b 67') En: 5, Ed: 4
Baby Dumpling goes to school, and their dog Daisy is lost as Dagwood
loses his job in this farce based on the comic strip.
Dagwood's bumbling causes lots of trouble, but a fairy-tale
ending makes everyone happy in this story of a child starting
school, losing his dog, and finding a new friend.
Blondie Johnson (1933 b 67') En: 5, Ed: 5
A poor woman gets involved in rackets, putting romance aside,
and rises to the top of the gang until she is sentenced to prison.
This melodrama shows the desperation of an unemployed woman
turning to crime; but she finds it does not work, and she missed
out on romance too.
Blondie Meets the Boss
(1939 b 72') En: 6, Ed: 5
Dagwood resigns and is replaced by Blondie, and on a fishing trip
he becomes involved with a singer, causing Blondie to get jealous.
Bumbling Dagwood makes absurd errors in normal suburban life,
and his harmless flirtation triggers explosive jealousy in Blondie,
allowing middle-class audiences to see their daily activities
botched up for laughs. Yet there is a stable security in their
life-style that not even their goof-ups can sabotage, giving the
spectators comfort and amusement too.
Blue Angel, The (German
1930 b 106') En: 7, Ed: 8
Made in both German and English, this morality tale directed by
Josef von Sternberg portrays the fall and humiliation of a Shakespeare
teacher.
This erotic parable symbolizes the plight of German intellectuals
between two disastrous wars, as the humiliation of Germany from
losing a world war going unresolved is soon to lead to the rise
of the Nazi party and an even worse war. The educated mind can
easily look down on sensual pleasures, partly from the fear such
desires will make a fool of even the most intellectual man. This
insecurity often accounts for the zeal with which some attempt
to suppress such basic instincts. Yet the seed of the professor's
humiliation is found in the students, who rebel against the respect
for teachers demanded as they call him "garbage" and
make fun of his infatuation. In this decadent German period the
forces of degeneration are overcoming a professor named Immanuel
perhaps after Christ or Kant.
Bonnie Scotland (1935 b 80') En: 5, Ed: 4
Stanley with Ollie goes to Scotland to inherit an estate; they
mistakenly join the army and get sent to India, where they are
nearly killed.
Comedy outshines the plot, the second half being a satire of
The Lives of a Bengal Lancer. In fact the usual conclusion of
the lovers getting together never occurs as the film ends in the
chaos of everyone running from the bees.
Border Cafe (1937
b 67') En: 5, Ed: 4
The son of a senator gets drunk and then falls in love with a
Mexican while gaining a friend, who takes him to his ranch.
A Texas rancher helps redeem an alcoholic and catches racketeering
rustlers, while supporting his new friend's romance with a Mexican
singer, affirming the values of honest work and multi-culturalism.
Bordertown (1935
b 91') En: 6, Ed: 6
Suggested by Carroll Graham's novel, a Mexican-American fails
as a lawyer but succeeds in a gambling business on the border
while suffering troubles with two white women.
This story explores racial prejudices and cultural differences.
Unable to succeed right away in the white legal world, Johnny
thrives in the gambling business; but social prejudice keeps Dale
from accepting him as a mate. Johnny learns, and his investing
in legal education offers hope.
Born to Dance (1936
b 106') En: 6, Ed: 5
Cole Porter songs and tap dancing highlight this musical comedy
about a sailor who romances two dancers in New York.
This story marries Navy patriotism with Broadway dancing, reflecting
two aspects of American society in a very entertaining way. Jenny
is concerned what the precocious Sally is learning from her conversation.
Boy Meets Girl (1938
b 86') En: 6, Ed: 5
Bella and Samuel Spewack adapted their own play in this satire
of two fast-talking Hollywood writers, a slow cowboy star, and
an intellectual producer.
This farcical look at how movie scripts are created indicates
why so many Hollywood films are rather superficial.
Boys Town (1938
b 93') En: 6, Ed: 7
Based on a true story, Father Flanagan founds a town for homeless
boys and confirms his belief that not one of them is bad.
This sentimental drama makes Flanagan's task seem so easy that
contributions to the real Boys Town actually decreased after this
film came out. Despite the melodramatic climax this story nonetheless
reveals the important need for better ways of rehabilitating problem
boys by giving them responsibilities for themselves.
Break of Hearts (1935 b 78') En: 6, Ed: 6
A young composer marries a famous conductor but leaves him when
he continues his womanizing, causing him to degenerate into alcoholism
until she returns.
After finding a great love, Franz has to learn to restrain
his womanizing habit because the loss of the great love drives
him to drink.
Breakfast for Two
(1937 b 68') En: 5, Ed: 4
A Texas debutante manages to take a broke shipping magnate away
from an actress by buying his company and getting him to revive
it.
This comedy shows the fun and games of two people from wealthy
families using their resources to get what they want, which turns
out to be each other.
Bride of Frankenstein,
The (1935 b 75') En: 7, Ed: 6
Frankenstein and his Monster revive, and another mad scientist
collaborates to make a mate for the Monster, now learning to talk
and becoming more human.
This powerful parable warns of blundering human experimentation
and reflects the nightmarish Nazi aim to create a master race
by violent means.
Bride Walks Out, The
(1936 b 81') En: 5, Ed: 6
A model marries a struggling engineer; but he won't let her keep
her job, and they can't pay the bills, while she is wooed by a
wealthy drinker.
Amid Depression struggles this story explores a woman's need
and desire to work despite the social conditioning of her husband.
Bride Wore Red, The (1937 b 103') En: 5, Ed: 6
In this adaptation of Ferenc Molnar's play a bar singer is given
two weeks in an aristocratic hotel and tries to land a wealthy
husband.
This romantic drama explores how class differences affect values
and attitudes. From economic frustration Anni chooses wealth over
love; but the experience of Giulio and Maria suggest that she
will be happier with love.
Brides Are Like That
(1936 b 67') En: 4, Ed: 5
Based on Barry Connor's play Applesauce, a broke college
graduate with no job persuades his girl-friend to marry him instead
of a doctor and finds a way to end their financial worries.
In this story the audience wonders if Bill is just lazy and
all talk; but his positive philosophy of love and optimism is
affirmed when his invention wins approval, making a believing
audience feel good.
Bright Eyes (1934
b 85') En: 5, Ed: 6
A sweet little girl loses her parents and has to live with the
parents of a brat, but she gets adopted by her aviator godfather
who loves her.
This story contrasts a loved child who is sweet and loving
with a spoiled but unloved child. Loop shows constant love for
Shirley and can't get mad at her for even a moment, while the
Smythes are the opposite.
Bringing Up Baby (1938 b 102') En: 8, Ed: 7
A paleontologist is kept from his wedding by an odd-ball woman
with a pet leopard.
In this bizarre comedy Susan finds peculiar ways of keeping
David from attending his wedding while he is irresistibly drawn
to her even though she causes him nothing but trouble.
British Agent (1934
b 81') En: 6, Ed: 6
Suggested by H. Bruce Lockhart's novel, a British diplomat tries
to keep Russia in the war while falling in love with Lenin's secretary.
This unusual historical drama shows how the early Soviet government
worked for peace but was attacked by the West for not continuing
the war.
Broadminded (1931
b 72') En: 5, Ed: 4
A father sends his son off to California with his cousin to stay
away from women, but they find them anyway.
In this light comedy the young men find attractive young women
despite the advice of the elders.
Broadway Bill (1934
b 102') En: 5, Ed: 4
A man leaves his rich father-in-law to enter his spirited racehorse
in the derby with the help of his wife's sister.
Horse racing is portrayed as much more fun and exciting than
business. The values found in most of this hysteria leave much
to be desired. The poor horse was coaxed into racing while sick
and died in the effort. This may have some escapist entertainment
value, but most of the lessons are backwards.
Broadway Melody of
1936 (1935 b 101') En: 6, Ed:
5
A Broadway producer discovers his school-friend is his star after
machinations by a gossip columnist.
Keeler is a satire of Winchell, and the clever story by Moss
Hart is a variation of the usual unknown becoming a star overnight.
The songs, dancing, and comedy provide elegant entertainment.
Broadway Melody of
1938 (1937 b 111') En: 6, Ed:
5
A producer hires an unknown dancer for a musical show, and she
has to raise money with her horse winning a race.
Once again musical entertainment is offered audiences as an
escape from economic woes, suggesting that somehow (by an unlikely
horse race) money will be found to make everything come out all
right.
Broadway Musketeers
(1938 b 63') En: 5, Ed: 4
Based on Three on a Match, three women from an orphanage
meet every year; the mother gets divorced, and the singer marries
her ex-husband.
Following the plot of a successful melodrama, once again Fay
goes from burlesque to a prosperous marriage, while discontent
Isabel falls for a worthless man and is dragged down into the
underworld though she sacrifices herself to save her child. The
contrasting fates imply a moral warning and show that people can
change their social situation.
Broadway Serenade
(1939 b 109') En: 5, Ed: 5
A singer is separated from her composer husband when she is put
in a show by a backer who romances her.
In this dramatic musical the temperamental Jim needs to learn
to control his temper and must overcome professional and personal
rejection; but he is inspired by a friend to create great music.
Broadway to Hollywood
(1933 b 85') En: 5, Ed: 5
Three generations of a show-business family go from Vaudeville
to talking pictures.
This mildly entertaining family saga portrays the rewards and
difficulties of show business. Social changes are shown in different
generations even though the original couple ages without changing
much.
Brother Rat (1938
b 89') En: 6, Ed: 5
Based on a play by VMI graduates Fred Finklehoff and John Monks,
three senior cadets at VMI bend the rules with their girl-friends.
Crazy Billy gets himself and his room-mates into various predicaments;
but Bing is worried he'll be expelled for being married or won't
pass. These antics are contrasted to strict military discipline,
implying that their free spirits are superior to the regimentation.
Buccaneer, The (1938
b 125') En: 7, Ed: 7
Based on history and a novel by Lyle Saxon, pirate Jean Lafitte
helps General Jackson defeat the British at New Orleans.
Lafitte was pardoned by President Madison but did go back to
privateering. History gives context and meaning to this adventure
story as "rats without a country" fight for their new
home in America, suggesting that the line between military adventures
and criminal piracy is blurred.
Bullets or Ballots
(1936 b 82') En: 6, Ed: 6
A police detective pretends to join racketeers in order to clean
up organized crime; but he is mistrusted by one of the gangsters.
This drama explores racketeering and how police can locate
it by infiltration. Kruger trusts Blake because he keeps his word,
while, ironically, Blake is deceiving him.
Bunker Bean (1936
b 67') En: 5, Ed: 6
Based on Lee Wilson Dodd's play from Harry Leon Wilson's novel,
a timid secretary learns from previous lives how to assert himself
to win the boss's daughter and succeed in business.
This comedy satirizes reincarnation but shows how a timid person
can do better by being more assertive, though Bunker's success
is really the result of the patent he inherited, which can be
seen as symbolizing what the one inherits from previous soul experiences.
Bureau of Missing
Persons (1933 b 73') En: 5, Ed:
5
A paternalistic captain and a tough detective try to solve cases
of missing persons.
Many of the incidents in this comedy-drama were based on actual
occurrences. The paternalistic Webb has a tendency to withhold
information that he feels would be unpleasant for others to know.
Butch's behavior doesn't seem to improve, but he does learn about
his wife's game. Norma cleverly uses the Bureau of Missing Persons
to catch her husband for the murder for which she had been falsely
charged.
But the Flesh Is Weak
(1932 b 78') En: 5, Ed: 5
Ivor Novell adapted his own play Truth Game in this comedy
about a father and son trying to marry rich women.
Although Max and Joan like and respect each other, Max feels
that magical passion for Rosine that makes him willing to work
hard for her. Father and son are both incurable romantics; yet
both sacrifice romance to help each other. In the end the power
of young love triumphs.
By Your Leave (1934
b 82') En: 5, Ed: 6
Based on a play by Gladys Hurlbut and Emma Wells, a middle-aged
couple decides to take separate vacations to experience freedom.
This comedy of a mid-life crisis is ironic because Henry who
wanted romantic success failed, while Ellen succeeded in spite
of herself. Yet each realizes they love each other and are happy.
C
Cabin In the Cotton,
The (1932 b 78') En: 5, Ed: 6
Based on Harry Kroll's novel, the son of a tenant farmer manages
the books for a planter and finds stealing and romance on both
sides of the conflict.
The age-old conflict between wealthy land-owners and poor tenant
farmers reveals the economic injustice. Stealing does not work
well, but the educated Carter and Marvin manage to arrange a better
solution. It would seem Marvin has more in common with the wholesome
Betty than the smoking and drinking Madge; but wealth can be tempting.
Cain and Mabel (1936
b 90') En: 5, Ed: 5
A publicity agent fabricates a romance between a waitress he turned
into a Broadway star and a boxer; but eventually they fall in
love.
This romantic comedy satirizes how publicity designed to manipulate
the public can also distort the private lives of the celebrities.
Call of the Wild (1935 b 81') En: 5, Ed: 5
Two prospectors, a dog, and a woman find gold and overcome ruthless
competitors in this greatly altered adaptation of Jack London's
novel.
This movie version moves the focus from the dog to the melodrama
of the people. Greed and violence prove self-destructive, while
those who are on the "up-and-up" are successful. Buck
returns to nature and Claire to her husband, leaving Jack with
gold he grabbed by "Klondike law."
Calling Dr. Kildare
(1939 b 86') En: 6, Ed: 6
Dr. Gillespie puts Kildare in a street clinic, and he gets in
trouble treating a bullet wound without reporting it.
Kildare is torn between his instinct to protect a patient and
the criminal law, risking his career while his mentor Gillespie
guides the young intern.
Camille (1937
b 109') En: 7, Ed: 7
Based on the novel and play of Alexandre Dumas, an ill woman of
gaiety finds romance but sacrifices it for a higher love.
This grandly romantic drama ironically shows how fleeting and
ephemeral romance can be amid other pressures and concerns of
life. Sometimes loving what is best for the beloved means denying
both partners those temporary pleasures.
Captain Blood (1935
b 119') En: 7, Ed: 6
Rafael Sabatini's novel comes to life as an Irish doctor is sold
into slavery in Jamaica but transforms enslaved rebels into pirates,
who defeat the French after King James is replaced.
History gives this swashbuckling adventure context. Circumstances
give the ex-slave rebels an excuse for piracy, and a changed government
a reason to return to duty, portraying a rough world, where one
form of violence or another tends to dominate.
Captain January (1936 b 76') En: 5, Ed: 5
Based on a novel by Laura E. Richards, a lighthouse keeper takes
care of an orphan until he loses his job.
Shirley Temple's usual charm and talent carry this story of
a cheerful girl everyone except the truant officer loves. The
audience joins in wanting the orphan girl to have the best care
but not a cold institution.
Captains Courageous
(1937 b 117') En: 7, Ed: 8
Based on Rudyard Kipling's novel, a spoiled rich boy falls off
a cruise ship and is taught about life by a Portuguese sailor
on a fishing vessel.
This classic story portrays the maturing of a spoiled kid by
hard work at sea with a simple but spiritual fisherman, while
his wealthy father learns what he missed by not teaching his son
responsibility. Sadly, the useless competition between the ship
captains results in the death of the friendly Manuel.
Captain's Kid, The
(1936 b 73') En: 5, Ed: 4
A little girl helps an old man find a treasure and escape a murder
charge.
This highly unlikely story enables the audience to share the
adventures of Asa and Abigail in finding treasure and converting
a killing into the capturing of a wanted murderer for a reward.
Captured! (1933
b 69') En: 5, Ed: 5
Adapted from a novel by Philip Gibbs, a war prisoner learns that
his wife loves another prisoner, who escapes but is returned for
a trial.
This drama shows how war can cause a quick marriage and a painful
separation for the prisoner. Yet both sides still recognize some
law even as they are working as hard as they can to destroy each
other.
Carefree (1938
b 83') En: 7, Ed: 7
A lawyer sends his reluctant fiancé to a psychoanalyst,
and she falls in love with her doctor who can dance.
This musical comedy uses techniques of psychoanalysis to confuse
a budding romance of a patient for her doctor, a phenomenon Freud
called transference.
Carnival Boat (1932
b 62') En: 5, Ed: 4
Spectacular logging scenes highlight this drama of a timberjack
boss who wants his son to replace him as boss rather than run
off with a showgirl.
Exciting action, human conflict, romance, and a good song keep
this short film entertaining as it portrays the work of lumberjacks.
Case of the Black Cat,
The (1936 b 66') En: 5, Ed: 4
Perry Mason represents a man who wants to keep his cat and then
saves another client by revealing the murderer.
The intricate plot of this mystery keeps the audience guessing
until Perry Mason explains how all the details fit together, offering
an intriguing exercise in figuring out clues and motives.
Case of the Curious
Bride, The (1935 b 80') En: 5,
Ed: 4
Perry Mason helps a friend by finding out who murdered her husband,
who claimed to be dead and tried to extort money from her after
she married.
This murder mystery has a comic flair, enhancing its entertainment
value as Mason puts off a trip to China and cooking to solve the
crime.
Cat and the Fiddle, The
(1934 b 89') En: 6, Ed: 5
Adapted from an operetta by Jerome Kern and Otto Harbach, a composer
falls in love with a song-writer, who becomes successful before
he does.
This musical comedy explores the difficulty of the role reversal
when a woman's career is more successful than the man's.
Caught Plastered (1931 b 69') En: 6, Ed: 5
Two comics help an old lady keep from losing her drugstore but
turn it into a speakeasy without knowing it.
Punny humor and wise cracks keep this Depression comedy entertaining,
as crooks once again use people's desire to drink to make money
during Prohibition.
Cavalcade (1933
b 110') En: 6, Ed: 7
Two English families experience great events early in the 20th
century in this Oscar-winning adaptation of Noel Coward's play.
This episodic story reflects on how major events impact both
an upper-class and a working-class family. The past glories of
the English are now challenged by violent changes in the world,
indicating something is wrong with a society that blunders into
such wars.
Central Airport (1933 b 72') En: 6, Ed: 5
Two brothers compete as pilots and for the love of the same woman.
Director William Wellman and Barthelmess were both aviators,
giving this film extraordinary realism. Jim gave Jill the wrong
impression and changed his mind too late, providing an important
object lesson to young lovers.
Cèsar (French 1936
b 134') En: 7, Ed: 7
Completing Marcel Pagnol's trilogy after Marius and Fanny,
Panisse dies, and Cesariot learns from his mother Fanny that his
father is Marius.
With wit and charm this story portrays the friendships and
the suspended love between Marius and Fanny and his father Cèsar.
Cesariot at age 20 is able to bring back together his parents,
who were separated when Marius was that age.
Chained (1934
b 76') En: 6, Ed: 7
A woman has to choose between her lover who is married and then
divorced and another man who wants to marry her.
This romantic story explores the difficult choice a woman must
make when she loves two men. What makes this an unusual and inspiring
film is the respect each of the men has for the other.
Champ, The (1931
b 87') En: 7, Ed: 7
This sentimental story of an alcoholic and gambling prizefighter
and his adoring son was nominated for best picture and won Wallace
Beery an Oscar.
The powerful feelings between father and son really pull at
our hearts; but even the Champ realizes that it will be better
for his boy to go to school, as he never did. Andy also knows
it would be better if he does not drink and gamble, but he finds
no alternative to sliding back into those familiar habits. The
irony is that the boy is more responsible than the father; but
he has learned street smarts from his father and poor friends
and has little appreciation of other values. His mother and Tony
live in another social world he does not understand. Yet the love
from his heart for his father outweighs everything else and is
immensely appealing.
Chance at Heaven (1933 b 72') En: 4, Ed: 5
A small-town gas station owner gives up his fiancé to marry
an heiress from New York, but she and her mother soon arrange
a divorce.
This negative portrayal of the Franklins shows hostility toward
the rich for their superficiality and cowardice. Blacky is seduced
by Glory's social status; but the wise, tolerant, and patient
Marj knows she will win eventually.
Charge of the Light
Brigade, The (1936 b 115') En:
6, Ed: 6
Inspired by Tennyson's poem of a battle in the Crimean War, in
this fictionalized version a treacherous massacre by a local warlord
stimulates a British officer to launch a vengeful but suicidal
charge.
This war film offers numerous lessons about organized violence.
To justify British imperialist militarism in India, a massacre
based on Cawnpore during the Sepoy Mutiny of 1857 is used to explain
the Crimean charge of 1854. The infamous commander of this charge
was the womanizing, dueling Thomas Brudenwell, 57, who was first
to reach the lines and survived although 503 of his 700 men were
killed. In the filming trip wires caused more than 200 horses
to be killed, resulting in legislation to protect animals used
in movie-making.
Charley's Aunt (1930 b 86') En: 5, Ed: 4
Based on a play by Brandon Thomas, two college men get a friend
to play an aunt for a chaperone so that they can propose marriage.
Much slapstick fills this classic farce that satirizes the
older generation having to approve the marriages and the social
requirement for a chaperone.
Charlie Chan at
Monte Carlo (1937 b 72') En: 5,
Ed: 4
When three murders occur over stolen bonds, Chan solves the case.
Spiced by Lee's faulty French and Joubert's amusing English,
this mystery unfolds with only occasional help from the clever
Chan, as blackmail and a corrupt romance forward the plot.
Charlie Chan at the
Circus (1936 b 72') En: 5, Ed:
5
Chan and his son discover the murderer of a circus owner.
As usual Charlie Chan sprinkles wisdom and humor into his detective
work. "Good tools shorten labor" and "Mind like
parachute - only function when open." are two examples. His
son Lee wants to be a detective, but half the time he is distracted
by the charms of contortionist Su Toy. Thus a detective story
is given style and charm.
Charlie Chan at
the Olympics (1937 b 71') En:
6, Ed: 5
Chan goes to the Berlin Olympics to retrieve a stolen airplane
invention and to solve two murders with the help of the German
police.
Swastikas were removed from the Hindenberg film, and the Berlin
Olympics and the self-proclaimed efficiency of the police are
the only references to the Nazis. Yet the theme is protecting
military secrets, and the statement of Orientals sacrificing life
rather than face foreshadows the Japanese conflict as well.
Charlie Chan at the
Opera (1937 b 68') En: 6, Ed:
5
After a mental patient escapes, Chan solves two murders that occur
during an opera.
Once again the Chinese detective solves the mystery with style
and perception while humbly saying he is lucky. His gentility
and common sense offer a positive role model in this escape entertainment.
Charlie Chan at the
Race Track (1936 b 70') En: 5,
Ed: 5
Detective Chan investigates a death in a horse stable and catches
the crooked gamblers along with the murderer.
The aphoristic Charlie and his enthusiastic son Lee raise the
level of this mystery with clever detective work. One also learns
how horse races are photographed by timing devices.
Charlie Chan at Treasure
Island (1939 b 74) En: 5, Ed:
5
The Chinese detective investigates a psychic who blackmails people
and causes suicides and murders.
In this mystery the illusions of sleight-of-hand magic are
differentiated from mental telepathy, which is acknowledged as
an ability some people have. Using people's secrets for blackmail
is exposed for its bad consequences.
Charlie Chan in City
In Darkness (1939 b 75') En: 5,
Ed: 5
Based on a play by Gina Kaus and Ladislaus Fodor, on the brink
of war in Paris Chan uncovers foreign agents smuggling out arms.
This mystery reflects the imminent danger felt in France on
the verge of war and suggests that shipping weapons to enemies
is worse than murder.
Charlie Chan in Egypt
(1935 b 72') En: 5, Ed: 5
Chan investigates illegally sold Egyptian treasures and solves
a double murder by the man who took over the victim's project.
Chan's detecting wisdom proves that modern greed, not ancient
Egyptian curses, caused death and drugged hysteria.
Charlie Chan in
Honolulu (1938 b 67') En: 5, Ed:
4
Chan's son helps the detective solve a complicated double murder
on board a ship.
Wise Charlie helps guide his energetic sons and patiently solves
the mystery, proving his proverb that caution is a good life insurance
policy.
Charlie Chan in London
(1934 b 78') En: 5, Ed: 5
Chan and son Lee find two murderers trying to get away with money
from counterfeit bonds.
Chan gets help from his obedient son for the first time. His
thorough detective work outsmarts the criminals and the police
as usual.
Charlie Chan in Paris
(1935 b 72') En: 5, Ed: 5
Chan and son Lee find two murderers trying to get away with money
from counterfeit bonds.
Chan gets help from his obedient son for the first time. His
thorough detective work outsmarts the criminals and the police
as usual.
Charlie Chan in Reno
(1939 b 71') En: 5, Ed: 4
The Chinese detective and his #2 son go to Reno to help a divorcing
woman accused of murder in a complicated case as the victim had
many enemies.
This tight mystery with comic relief offers escape entertainment
with a clever detective, who is a model of good manners.
Charlie Chan in
Shanghai (1935 b 71') En: 5, Ed:
5
Detective Chan escapes being murdered, and with his son he tracks
down the opium-smuggling gang that murdered a British agent.
The gentle and cultured Chan has his usual aphorisms and detective
intuition in his ancestral land. Interaction with his son adds
a parental dimension, as the young man's energy complements the
elder's wisdom. Historically European-smuggled opium did much
to devastate China.
Charlie Chan on
Broadway (1937 b 68') En: 6, Ed:
5
Chan and son Lee solve a complicated murdered in New York involving
blackmail and a diary exposing racketeering.
This stylish and quick-moving mystery offers escape entertainment
with a murderer unsuspected until the end.
Charlie Chan's Secret
(1936 b 72') En: 5, Ed: 5
Detective Chan uses a second murder and a seance to catch the
murderer of a lost heir who had suddenly returned.
Without disbelieving in mediumism and the spirits of ancestors
Chan exposes contrivances, and by a faked murder he makes the
murderer come forward, proving his aphorism that necessity may
be the step-mother of deception.
Chaser, The (1938
b 76') En: 5, Ed: 4
Based closely on the 1933 film The Nuisance, an ambulance-chasing
lawyer falls in love with a company spy hired to ruin his career.
A lawyer lost his idealistic values after losing cases to a
tricky lawyer. Now that he is more clever at tricks the question
is whether a beautiful woman can make an honest man of him again.
Chief, The (1933
b 65') En: 5, Ed: 4
A bumbling honorary fire chief runs for alderman against a gangster
in this madcap comedy.
This farce satirizes the corruption of local politics in the
big city by making a popular hero out of a clumsy but likable
fool.
Chienne, La (French 1931
b 94') En: 8, Ed: 7
Jean Renoir directed this well made tragicomedy about a hen-pecked
husband of limited social skills who falls in love with a prostitute.
Ironically Lulu is called the bitch even though she tried to
please everyone. The real shrew is Maurice's wife Adele, who won't
even let her husband spend his own money. Dédé is
the most selfish; yet he is wrongly executed. Renoir has left
us with absurd results that are not unlike life itself.
China Clipper (1936
b 89') En: 6, Ed: 6
A ruthless aviation pioneer drives his partners and employees
to establish the first commercial flights across the Pacific Ocean.
Dave's unrelenting ambition produces commercial success; but
his engineer dies, and his wife is neglected. The story is familiar,
because it's not unusual.
China Passage (1937
b 65') En: 5, Ed: 4
A diamond is stolen in Shanghai and smuggled on a ship to San
Francisco while its guards and a federal agent try to find the
gem and a murderer.
This mystery keeps the audience guessing while hinting that
Fang Tu is the culprit. The sexual bantering of Baldwin and Jane
enlivens the story.
China Seas (1935
b 88') En: 6, Ed: 5
Adapted from Crosbie Garstin's novel, a captain makes his girl-friend
jealous when he decides to marry an old friend while contending
with a typhoon and Malay pirates.
This romantic adventure story was intended by its producer
Irving Thalberg to entertain and make money. The charisma of its
stars Gable, Harlow, and Beery with a fine supporting cast accomplished
that objective.
Christmas Carol, A
(1938 b 70') En: 6, Ed: 7
In this version of the Dickens' story Scrooge's heart is awakened
when the spirits of Christmas Past, Present, and Future show him
his life.
This inspiring story is succinctly presented in a cheerful
manner. Its powerful message to overcome greed and selfishness
with the spirit of kindness and giving, most overtly expressed
on the Christmas holiday, will never get out of date.
Christopher Strong
(1933 b 77') En: 5, Ed: 5
Dorothy Azner directed and Zoe Akins adapted Gilbert Frankau's
novel about a flier who falls in love with a member of Parliament.
This feminist film explores the difficulty a career woman may
have in finding personal romance. Cynthia is reckless, but the
cautious Christopher manages to maintain his marriage and have
the affair too. His wife suffers from the infidelity, but she
learns to accept Harry.
Church Mouse, The (1935 b 75') En: 5, Ed: 4
Based on a play by Paul Frank and Ladislaus Fodor, a banker tries
to separate business from pleasure but finds himself attracted
to his secretaries.
This comedy reflects social changes in the office, bringing
confusion to a banker's work ethics. Sylvia represents the alluring
woman and Betty the efficient secretary, but in their wholeness
they are each both.
Cimarron (1931
b 124') En: 7 Ed: 7
This Oscar-winning epic on Oklahoma is based on the novel Cimarron
by Edna Ferber.
Although much of the heroics are accomplished by fancy shooting,
this story shows the pioneering of a western territory by the
power of the press, law, and religion. Although his wife calls
them "filthy," Yancey stands up for the Indians as well
as for the fallen woman. The black boy Isaiah and the Jewish tailor
Levy are rather stereotypical, but nonetheless the theme of racial
and religious pluralism and tolerance comes across.
Circus Clown, The (1934 b 65') En: 5, Ed: 4
A son leaves his father to join the circus and works his way up
from the bottom to the trapeze, winning the love of a trapeze
artist.
The comic talent of Joe E. Brown carries this farce that shows
how someone with skill can rise to the performance and become
a fine friend to a woman and her son while those with malicious
motives get nowhere.
Citadel, The (1938
b 113') En: 7, Ed: 8
Based on the novel by A. J. Cronin, a doctor begins taking care
of the poor and miners but gives up experiments to make money
in London.
This realistic drama contrasts the early struggles of a young
doctor, caring for the poor, to the decadent practice of coddling
the rich. Fortunately his wife values helping humanity more than
having wealth, and he is able to realize his mistakes and reform.
City Lights (silent 1931 b 87') En: 9 Ed: 9
Not only did Charlie Chaplin write and direct this masterpiece,
he also composed the delightful musical score. A tramp finds a
rich friend and helps a blind woman.
Charlie Chaplin won the hearts of millions of people around
the world with his portrayal of a poor tramp whose clever foolishness
makes us laugh. This story shows that even a poor tramp can save
a rich man's life and help bring about great healing. Manners
and social customs are spoofed by numerous comic bits, while the
deep kindness expressed for and by the girl awaken the simplicity
of innocent love.
Cleopatra (1934
b 100') En: 6, Ed: 6
Cecil B. DeMille directed this spectacle in which the young Egyptian
queen gains power by seducing Julius Caesar and then Mark Antony;
but she and Antony are defeated by Octavian Caesar.
Generally accurate, this spectacle offers an entertaining history
lesson in imperial politics. The Romans may have ruled the day,
but Cleopatra often reigned at night under the moon during this
unfortunate transition when Rome's republican empire gave way
to a monarchical one.
Colleen (1936
b 89') En: 5, Ed: 4
A foolish executive hires a biographer and gives a factory worker
a dress shop while his nephew falls in love with a bookkeeper.
The top executive is portrayed as a nincompoop in this romantic
musical that satirizes a gold-digger, who teams with a con artist.
College Coach (1933
b 76') En: 5, Ed: 5
An unethical coach helps save a college's endowment by winning
football games.
This story shows how enthusiasm for football distorts higher
education by the money it attracts. Gore compares himself to Napoleon
and is ruthless about winning games and making money, while ignoring
his wife's needs. The academic work of players suffers because
of the obsession with football.
Come and Get It (1936 b 99') En: 6, Ed: 7
Adapted from Edna Ferber's novel, an ambitious lumber man gives
up a beauty to marry his partner's daughter; but later he woos
the daughter of the beauty and his best friend in competition
with his own son.
Barney's reckless ambition leaves fewer trees for future generations;
but his attempt to take the beauty he lost from his son fails
and shows his folly.
Comet Over Broadway
(1938 b 70') En: 4, Ed: 5
A woman wants to be an actress; after her husband goes to prison,
she gives up her daughter to pursue her career.
This sad drama explores career ambition, jealousy, motherhood,
sacrifice, and loyalty with poignant feelings in difficult situations.
Eve heroically gives up her own successful acting career to pay
back her husband for his suffering; but her daughter clearly has
the acting bug too.
Compadre Mendoza, El
(Spanish 1934 b 82') En: 5, Ed: 7
This second of three films directed by Fernando de Fuentes on
the Mexican Revolution focuses on a landowner and his family torn
between the government and the revolutionaries.
Although the revolutionaries wanted to return land to the peasant
farmers, landowner Rosalio's kindness to them saved his life and
led to his friendship with Nieto. Yet after his crop was destroyed,
he betrayed his good friend. The violence of government oppression
and revolution created many such horrifying conflicts.
Condemned Women (1938 b 77') En: 5, Ed: 5
Three women share a cell in prison: Annie is a veteran and plans
escape; Millie is innocent; and Linda is suicidal but falls in
love with the doctor.
This drama captures the hopelessness of being in prison though
some of the melodrama stretches the realism. One man turns Linda
toward life and hope but another with authority takes that away,
turning her to desperation.
Confession (1937
b 87') En: 6, Ed: 6
Based on a true story and the 1935 German film Mazurka,
a singer shoots the seducer, who ruined her marriage, before he
can seduce her daughter.
This poignant drama based on an actual case of 1930 imitates
the expressionism of its German model and thus gives American
audiences something different. Though it seems to be a morality
tale against a man who seduces young women, the reaction of murder
is much worse than what he did. Yet as the case shows, such over-reaction
is all too human.
Confessions of a
Nazi Spy (1939 b 105') En: 6,
Ed: 7
Based on articles by an FBI agent, a ring of spies in America
working for Germany is eventually caught by the FBI.
This film served as an obvious warning to Americans about the
growing Nazi threat and realistically shows how efforts to combat
fascism often use similar methods of a police state in fighting
the menace.
Connecticut Yankee
(1931 b 95') En: 5 Ed: 5
This Will Rogers political satire updates Mark Twain's spoof of
Arthurian England to the radio age.
Although he intended to use arbitration, the bulky and primitive
weapons of the age of chivalry are quickly overcome by the devastating
war technology of the twentieth century. The mindless manufacture
of armor and weapons led directly to a devastating war just as
the fascists were doing in the early thirties. Modern wars can
destroy so much faster than the long drawn-out wars of the middle
ages. Though technology has advanced, humans are still foolishly
trying to kill each other and are doing so more efficiently.
Conquerors, The (1932
b 86') En: 4, Ed: 5
A family of bankers pioneers in Nebraska and experiences the ups
and downs of the economy from 1873 to 1929.
This epic is as melodramatic as an unstable economy; but faith
in the investment of capital survives the roller-coaster ride.
Thus audiences were consoled that depressions had happened before,
and they were followed by renewed prosperity.
Conquest (1937
b 112') En: 7, Ed: 8
Based on a true story, a novel by Waclaw Gasiorowski, and a play
by Helen Jerome, a young Polish countess uses her charms with
Napoleon to liberate her country.
Although this film lost more money for MGM than any other until
1949, it tells a romantic and historic story with excellent acting.
Politics makes strange bed-fellows, and the contrast between their
love for each other and Napoleon's ruthless methods to achieve
his ideal goals is apparent even without showing battle scenes.
Consolation Marriage
(1931 b 81') En: 5, Ed: 5
Two jilted lovers decide to marry each other with detachment and
are tested by their former lovers getting divorces and coming
back.
This romantic drama makes sense, because the two disappointed
lovers remain true to each other while the partners that jilted
them end up divorced and rejected by their former lovers too.
Cowboy from Brooklyn
(1938 b 77') En: 5, Ed: 4
A singer is discovered in Wyoming and is publicized as a cowboy,
but he has an animal phobia and runs from them.
This musical comedy spoofs the publicity that makes cowboy
singing stars by giving Elly a phobia that makes him seem cowardly.
Jane teaches Elly western lingo but has trouble getting him to
see her as an attractive woman. The story is silly but entertaining
nonetheless.
Crashing Hollywood
(1938 b 61') En: 5, Ed: 4
Based on a play by Paul Dickey and Mann Page, a screenwriter gets
help from an ex-con, but the movie draws in the people involved
in the robbery.
This farce satirizes how Hollywood exploits sensational crimes
by having the criminals come after them for exposing them.
Crime de Monsieur Lange,
Le (French 1936 b 78') En: 7,
Ed: 7
After an unscrupulous publisher absconds, the workers form a cooperative
and make a success of a writer's stories; but the publisher returns
and is murdered.
This social drama shows how one unethical boss can ruin a company
that cooperating workers can make a success. The writer imitates
his cowboy hero by killing a bad man for exploiting women and
others.
Crime School (1938
b 85') En: 6, Ed: 6
A gang of kids gets sent to a bad reform school for refusing to
squeal; but a deputy commissioner takes over to reform the reform
school.
This melodrama suggests that boys are shaped by their environment
and how they are treated. A corrupt reform school puts money in
the pockets of the staff while the boys suffer; but a humane one
allows them to learn responsibility by giving them more opportunities.
Criminal Lawyer (1936 b 72') En: 5, Ed: 5
A gangster's lawyer becomes district attorney and turns against
his old boss, admitting his past crimes.
A lawyer finds that his ambition is thwarted by the corrupt
methods he used to gain power when he becomes a prosecutor for
the law.
Crowd Roars, The (1932
b 71') En: 6, Ed: 5
Howard Hawks directed this story of a race-car driver competing
with his younger brother.
Joe learns not to drink before driving by the hard lesson of
having his friend killed. He tries to prevent his brother from
following his path but soon realizes that he can't stop him from
doing what he wants to do himself. His character cannot resist
competing in a dangerous sport, as both brothers find success
in racing and in relationship. The audience can identify with
the winners, but the losers and injured tend to be forgotten.
Crowd Roars, The (1938
b 91') En: 6, Ed: 5
The son of an alcoholic becomes a boxer and falls in love with
the daughter of a prominent gambler.
This well-made drama implies that boxing and gambling are a
bad combination, which alcoholism makes even worse. Tommy might
have been a singer, but it looks like Sheila is straightening
him out after his father's bad influence.
Crusades, The (1935
b 125) En: 7, Ed: 7
Cecil B. DeMille's epic film of King Richard's crusade makes his
wife Berengaria a heroine, who brings peace to Jerusalem by awakening
his love.
In fact Berengaria was not captured, and after the truce she
and Richard were estranged. Yet her fictional sacrifice well represents
the spirit of Christ's love in bringing about peace between warring
men driven mad by religious fanaticism.
Curly Top (1935
b 75') En: 5, Ed: 5
A little girl and her older sister are adopted from an orphanage
by a wealthy composer, who falls in love with both of them.
This simple story is filled with child-like charm and innocence.
Cynara (1932
b 78') En: 5, Ed: 6
Based on a novel and play by Robert Gore Brown, an English barrister
has an affair while his wife is away.
This tragedy explores the difficulties an adulterous affair
can pose if one wants to return to the marriage. Doris pursued
the affair and was told it could not last; yet she was victimized
by her own feelings.